Language:
English
繁體中文
Help
圖資館首頁
Login
Back
to Search results for
[ subject:"Global/International Theatre and Performance." ]
Switch To:
Labeled
|
MARC Mode
|
ISBD
Media archaeology and intermedial pe...
~
SpringerLink (Online service)
Media archaeology and intermedial performancedeep time of the theatre /
Record Type:
Electronic resources : Monographic component part
Title/Author:
Media archaeology and intermedial performanceedited by Nele Wynants.
Reminder of title:
deep time of the theatre /
other author:
Wynants, Nele.
Published:
Cham :Springer International Publishing :2019.
Description:
xix, 290 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
Subject:
TheaterTechnological innovations
Online resource:
https://doi.org/10.1007/978-3-319-99576-2
ISBN:
9783319995762$q(electronic bk.)
Media archaeology and intermedial performancedeep time of the theatre /
Media archaeology and intermedial performance
deep time of the theatre /[electronic resource] :edited by Nele Wynants. - Cham :Springer International Publishing :2019. - xix, 290 p. :ill., digital ;24 cm. - Avant-gardes in performance. - Avant-gardes in performance..
This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced 'new' media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise.
ISBN: 9783319995762$q(electronic bk.)
Standard No.: 10.1007/978-3-319-99576-2doiSubjects--Topical Terms:
838064
Theater
--Technological innovations
LC Class. No.: PN2122 / .M435 2019
Dewey Class. No.: 792.0209
Media archaeology and intermedial performancedeep time of the theatre /
LDR
:02145nmam 22003253 a 450
001
555787
003
DE-He213
005
20190709101551.0
006
m d
007
cr nn 008maaau
008
191121s2019 gw s 0 eng d
020
$a
9783319995762$q(electronic bk.)
020
$a
9783319995755$q(paper)
024
7
$a
10.1007/978-3-319-99576-2
$2
doi
035
$a
978-3-319-99576-2
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
PN2122
$b
.M435 2019
072
7
$a
AN
$2
bicssc
072
7
$a
PER011000
$2
bisacsh
072
7
$a
ATD
$2
thema
082
0 4
$a
792.0209
$2
23
090
$a
PN2122
$b
.M489 2019
245
0 0
$a
Media archaeology and intermedial performance
$h
[electronic resource] :
$b
deep time of the theatre /
$c
edited by Nele Wynants.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2019.
300
$a
xix, 290 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Avant-gardes in performance
520
$a
This book develops media archaeological approaches to theatre and intermediality. As an age-old art form, theatre has always embraced 'new' media. To create theatrical effects and optical illusions, theatre makers were ready to integrate state-of-the-art technics and technologies, and by doing so they playfully explored and popularized scientific knowledge on mechanics, optics and sound for live audiences. This book highlights this obvious but often overlooked relation between media developments and the history of intermedial theater. By considering the interplay between present intermedial performances and their archaeological traces, the authors assembled here revisit old and often forgotten media approaches and theatre technologies. This archaeology is understood less as the discovery of a forgotten past than as the establishment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need to be preserved, the authors stress the return of the past in the present, but in a different, performative guise.
650
0
$a
Theater
$x
Technological innovations
$x
History.
$3
838064
650
1 4
$a
Contemporary Theatre.
$3
774209
650
2 4
$a
Performing Arts.
$3
284098
650
2 4
$a
Technology and Stagecraft.
$3
773183
650
2 4
$a
Performers and Practitioners.
$3
794843
650
2 4
$a
Global/International Theatre and Performance.
$3
779890
700
1
$a
Wynants, Nele.
$3
838063
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
830
0
$a
Avant-gardes in performance.
$3
688187
856
4 0
$u
https://doi.org/10.1007/978-3-319-99576-2
950
$a
Literature, Cultural and Media Studies (Springer-41173)
based on 0 review(s)
ALL
電子館藏
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
000000168599
電子館藏
1圖書
電子書
EB PN2122 M489 2019 2019
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Multimedia file
https://doi.org/10.1007/978-3-319-99576-2
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login