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Ideologies of marginality in Brazili...

Palgrave Connect (Online service)

Ideologies of marginality in Brazilian hip hopretelling marginality through music /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ideologies of marginality in Brazilian hip hopDerek Pardue.
其他題名:	retelling marginality through music /
作者:	Pardue, Derek,
出版者:	Basingstoke :Palgrave Macmillan,2008.
面頁冊數:	1 online resource
標題:	Rap (Music)Social aspectsBrazil.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230613409

Ideologies of marginality in Brazilian hip hopretelling marginality through music /
Pardue, Derek,1969-

Ideologies of marginality in Brazilian hip hopretelling marginality through music /[electronic resource] :Derek Pardue. - Basingstoke :Palgrave Macmillan,2008. - 1 online resource

Introduction and Frame * Assembling Brazilian Hip Hop Histories * Making Territorial Claims: S&

In the land of samba there is another vibrant culture capturing the attention of urban youth.This compelling account argues that hip hop, while certainly a product of globalized flows of information and technology, is by no means homogenous. Using more than five years of anthropological fieldwork in Säao Paulo, Brazil's largest city, Pardue represents "culture" as generative and thus meaningful as a set of practices. When interpreted in this manner, local hip hoppers become closer to whatthey claim to be--subjects rather than objects of history and everydaylife. In his ethnography, thefirst in English to look at Brazilian hip hop, Pardue highlights the analytical categories of race,class, gender, and territory.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230613409

Standard No.: 10.1057/9780230613409doiSubjects--Topical Terms:

475414
Rap (Music)
--Social aspects--Brazil.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: GN564.B6 / P37 2008eb

Dewey Class. No.: 306.4842490981

Ideologies of marginality in Brazilian hip hopretelling marginality through music /
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245 1 0 $a Ideologies of marginality in Brazilian hip hop $h [electronic resource] : $b retelling marginality through music / $c Derek Pardue.
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505 0 $a Introduction and Frame * Assembling Brazilian Hip Hop Histories * Making Territorial Claims: S& $x 00E3;o Paulo Hip-Hop and the Socio-Geographical Dynamics of Periferia * Putting Mano to Music * Mano / Mana: The Engendering of the Periferia * Fechou? (I'm Out / The End?): ConcludingRemarks about a Crisis and an Opportunity.
520 $a In the land of samba there is another vibrant culture capturing the attention of urban youth.This compelling account argues that hip hop, while certainly a product of globalized flows of information and technology, is by no means homogenous. Using more than five years of anthropological fieldwork in Säao Paulo, Brazil's largest city, Pardue represents "culture" as generative and thus meaningful as a set of practices. When interpreted in this manner, local hip hoppers become closer to whatthey claim to be--subjects rather than objects of history and everydaylife. In his ethnography, thefirst in English to look at Brazilian hip hop, Pardue highlights the analytical categories of race,class, gender, and territory.
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