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The sociolinguistics of hip-hop as c...
~
Rivers, Damian J.
The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /
Record Type:
Electronic resources : Monograph/item
Title/Author:
The sociolinguistics of hip-hop as critical conscienceedited by Andrew S. Ross, Damian J. Rivers.
Reminder of title:
dissatisfaction and dissent /
other author:
Ross, Andrew S.
Published:
Cham :Springer International Publishing :2018.
Description:
xiii, 271 p. :ill., digital ;22 cm.
Contained By:
Springer eBooks
Subject:
Sociolinguistics.
Online resource:
http://dx.doi.org/10.1007/978-3-319-59244-2
ISBN:
9783319592442$q(electronic bk.)
The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /
The sociolinguistics of hip-hop as critical conscience
dissatisfaction and dissent /[electronic resource] :edited by Andrew S. Ross, Damian J. Rivers. - Cham :Springer International Publishing :2018. - xiii, 271 p. :ill., digital ;22 cm.
Chapter 1: The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-Hop Identity and Conflict -- Chapter 2: Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation -- Chapter 3: "77% of Aussies are Racist" - Intersections of Politics and Hip-Hop in Australia -- Chapter 4: Where is the Love? White Nationalist Discourse on Hip Hop -- Chapter 5: "Who's afraid of the Dark?": The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music -- Chapter 6: How the Financial Crisis Changed Hip Hop -- Chapter 7: Dissatisfaction and Dissent in the Transmodal Performances of Hip Hop Artists in Mongolia -- Chapter 8: Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap -- Chapter 9: The Death of Dissent and the Decline of Dissin': A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap.
This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.
ISBN: 9783319592442$q(electronic bk.)
Standard No.: 10.1007/978-3-319-59244-2doiSubjects--Topical Terms:
177881
Sociolinguistics.
LC Class. No.: P40 / .S546 2018
Dewey Class. No.: 306.44
The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /
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Chapter 1: The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-Hop Identity and Conflict -- Chapter 2: Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation -- Chapter 3: "77% of Aussies are Racist" - Intersections of Politics and Hip-Hop in Australia -- Chapter 4: Where is the Love? White Nationalist Discourse on Hip Hop -- Chapter 5: "Who's afraid of the Dark?": The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music -- Chapter 6: How the Financial Crisis Changed Hip Hop -- Chapter 7: Dissatisfaction and Dissent in the Transmodal Performances of Hip Hop Artists in Mongolia -- Chapter 8: Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap -- Chapter 9: The Death of Dissent and the Decline of Dissin': A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap.
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This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.
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based on 0 review(s)
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000000151891
電子館藏
1圖書
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EB P40 .S678 2018 2018
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1 records • Pages 1 •
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http://dx.doi.org/10.1007/978-3-319-59244-2
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