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[ subject:"Humanism in art." ]
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Displacing Caravaggioart, media, and...
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Displacing Caravaggioart, media, and humanitarian visual culture /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Displacing Caravaggioby Francesco Zucconi.
其他題名:
art, media, and humanitarian visual culture /
作者:
Zucconi, Francesco.
出版者:
Cham :Springer International Publishing :2018.
面頁冊數:
xi, 244 p. :ill., digital ;22 cm.
Contained By:
Springer eBooks
標題:
Humanism in art.
電子資源:
https://doi.org/10.1007/978-3-319-93378-8
ISBN:
9783319933788$q(electronic bk.)
Displacing Caravaggioart, media, and humanitarian visual culture /
Zucconi, Francesco.
Displacing Caravaggio
art, media, and humanitarian visual culture /[electronic resource] :by Francesco Zucconi. - Cham :Springer International Publishing :2018. - xi, 244 p. :ill., digital ;22 cm.
1. Introduction -- 2. Humanitarian Archeology -- 3. Unstill Life -- 4. Pathos, Survival, and "Quasi Immanence" -- 5. On the Limits of the Virtual Humanitarian Experience -- 6. Caravaggio on Lampedusa -- 7. On Displacing.
This book takes its start from a series of attempts to use Caravaggio's works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio's work, Francesco Zucconi takes Baroque art as a point of departure to guide readers through some of the most haunting and compelling images of our time. Each chapter analyzes a different form of media and explores a problem that ties together art history and humanitarian communications: from Caravaggio's attempt to represent life itself as a subject of painting to the way bodies and emotions are presented in NGO campaigns. What emerges from this probing inquiry at the intersection of art theory, media studies and political philosophy is an original critical path in humanitarian visual culture.
ISBN: 9783319933788$q(electronic bk.)
Standard No.: 10.1007/978-3-319-93378-8doiSubjects--Topical Terms:
824820
Humanism in art.
LC Class. No.: N8217.H78 / Z83 2018
Dewey Class. No.: 701.03
Displacing Caravaggioart, media, and humanitarian visual culture /
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1. Introduction -- 2. Humanitarian Archeology -- 3. Unstill Life -- 4. Pathos, Survival, and "Quasi Immanence" -- 5. On the Limits of the Virtual Humanitarian Experience -- 6. Caravaggio on Lampedusa -- 7. On Displacing.
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This book takes its start from a series of attempts to use Caravaggio's works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio's work, Francesco Zucconi takes Baroque art as a point of departure to guide readers through some of the most haunting and compelling images of our time. Each chapter analyzes a different form of media and explores a problem that ties together art history and humanitarian communications: from Caravaggio's attempt to represent life itself as a subject of painting to the way bodies and emotions are presented in NGO campaigns. What emerges from this probing inquiry at the intersection of art theory, media studies and political philosophy is an original critical path in humanitarian visual culture.
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