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Feeling filma spatial approach /

Carroll, Beth.

Feeling filma spatial approach /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Feeling filmby Beth Carroll.
其他題名:	a spatial approach /
作者:	Carroll, Beth.
出版者:	London :Palgrave Macmillan UK :2016.
面頁冊數:	xi, 210 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
標題:	Motion picturesAesthetics.
電子資源:	http://dx.doi.org/10.1057/978-1-137-53936-6
ISBN:	9781137539366$q(electronic bk.)

Feeling filma spatial approach /
Carroll, Beth.

Feeling filma spatial approach /[electronic resource] :by Beth Carroll. - London :Palgrave Macmillan UK :2016. - xi, 210 p. :ill., digital ;22 cm. - Palgrave studies in audio-visual culture. - Palgrave studies in audio-visual culture..

1. A New Methodological Approach -- 2. Theoretical Approaches -- 3. Sound Space -- 4. Visual Space -- 5. Audio-Visual Space -- 6. What Next?

This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us 'feel' cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier's Dancer in the Dark (2000), Feeling Film: A Spatial Approachinvestigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.

ISBN: 9781137539366$q(electronic bk.)

Standard No.: 10.1057/978-1-137-53936-6doiSubjects--Topical Terms:

176990
Motion pictures
--Aesthetics.

LC Class. No.: PN1995 / .C3546 2016

Dewey Class. No.: 791.4301

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505 0 $a 1. A New Methodological Approach -- 2. Theoretical Approaches -- 3. Sound Space -- 4. Visual Space -- 5. Audio-Visual Space -- 6. What Next?
520 $a This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us 'feel' cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier's Dancer in the Dark (2000), Feeling Film: A Spatial Approachinvestigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.
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