國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Motion pictures and history." ]

切換: 標籤 | MARC模式 | ISBD

The ethics of witnessdailiness and h...

Cai, Xiao.

The ethics of witnessdailiness and history in Hou Hsiao-hsien's films /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The ethics of witnessby Xiao Cai.
其他題名:	dailiness and history in Hou Hsiao-hsien's films /
作者:	Cai, Xiao.
出版者:	Singapore :Springer Singapore :2019.
面頁冊數:	xv, 262 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion pictures and history.
電子資源:	https://doi.org/10.1007/978-981-13-2170-2
ISBN:	9789811321702$q(electronic bk.)

The ethics of witnessdailiness and history in Hou Hsiao-hsien's films /
Cai, Xiao.

The ethics of witnessdailiness and history in Hou Hsiao-hsien's films /[electronic resource] :by Xiao Cai. - Singapore :Springer Singapore :2019. - xv, 262 p. :ill., digital ;24 cm.

Hou Hsiao-hsien: Films and Reading -- A Poetics of Time: the Representation of Daily Life -- Remapping Taiwan: Space as a Time Monument -- The Poetics of Memory and Mourning -- The Poetics of the Ordinary in Representation of History.

This book explores the aesthetic and ethical ways in which history and daily life are filmically represented and witnessed in Taiwanese director Hou Hsiao-hsien's movies. From the era of the Japanese Occupation to the White Horror and then to the lifting of martial law, the author shows how Hou Hsiao-hsien uses visual media to evoke the rhythms of daily life through the emotional memory of the characters and communities he explores. In particular, the book focuses on the ways in which Hou Hsiao-hsien seeks to reflect the strong dilemmas of identity and the traumatic emotions associated with witnessing history. Taking an interdisciplinary approach, it investigates the concepts of daily life, representation and historical trauma in order to focus on how these films represent history and political trauma through the nature of daily life and personal memories, and the resulting historical responsibility and ethics. This is the first academic monography about Hou Hsiao-hsien's films.

ISBN: 9789811321702$q(electronic bk.)

Standard No.: 10.1007/978-981-13-2170-2doiSubjects--Personal Names:

304507
Hou, Xiaoxian,
1947-Subjects--Topical Terms:

232845
Motion pictures and history.

LC Class. No.: PN2039 / .C359 2019

Dewey Class. No.: 792.01

The ethics of witnessdailiness and history in Hou Hsiao-hsien's films /
LDR:02204nmm a2200325 a 4500 001 553431
003 DE-He213
005 20190604171459.0
006 m d
007 cr nn 008maaau
008 191111s2019 si s 0 eng d
020 $a 9789811321702$q(electronic bk.)
020 $a 9789811321696$q(paper)
024 7 $a 10.1007/978-981-13-2170-2 $2 doi
035 $a 978-981-13-2170-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN2039 $b .C359 2019
072 7 $a JFC $2 bicssc
072 7 $a SOC026000 $2 bisacsh
072 7 $a JBCC $2 thema
082 0 4 $a 792.01 $2 23
090 $a PN2039 $b .C133 2019
100 1 $a Cai, Xiao. $3 834708
245 1 4 $a The ethics of witness $h [electronic resource] : $b dailiness and history in Hou Hsiao-hsien's films / $c by Xiao Cai.
260 $a Singapore : $b Springer Singapore : $b Imprint: Springer, $c 2019.
300 $a xv, 262 p. : $b ill., digital ; $c 24 cm.
505 0 $a Hou Hsiao-hsien: Films and Reading -- A Poetics of Time: the Representation of Daily Life -- Remapping Taiwan: Space as a Time Monument -- The Poetics of Memory and Mourning -- The Poetics of the Ordinary in Representation of History.
520 $a This book explores the aesthetic and ethical ways in which history and daily life are filmically represented and witnessed in Taiwanese director Hou Hsiao-hsien's movies. From the era of the Japanese Occupation to the White Horror and then to the lifting of martial law, the author shows how Hou Hsiao-hsien uses visual media to evoke the rhythms of daily life through the emotional memory of the characters and communities he explores. In particular, the book focuses on the ways in which Hou Hsiao-hsien seeks to reflect the strong dilemmas of identity and the traumatic emotions associated with witnessing history. Taking an interdisciplinary approach, it investigates the concepts of daily life, representation and historical trauma in order to focus on how these films represent history and political trauma through the nature of daily life and personal memories, and the resulting historical responsibility and ethics. This is the first academic monography about Hou Hsiao-hsien's films.
600 1 0 $a Hou, Xiaoxian, $d 1947- $3 304507
650 0 $a Motion pictures and history. $3 232845
650 0 $a Theater $x Philosophy. $3 221873
650 0 $a Theater and society. $3 289450
650 1 4 $a Cultural Studies. $3 561258
650 2 4 $a Media Research. $3 675083
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-981-13-2170-2
950 $a Social Sciences (Springer-41176)