國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Mysteries and miracle-plays, English" ]

切換: 標籤 | MARC模式 | ISBD

Performance, cognitive theory, and d...

Palgrave Connect (Online service)

Performance, cognitive theory, and devotional culturesensual pietyin late medieval York /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Performance, cognitive theory, and devotional cultureJill Stevenson.
其他題名:	sensual pietyin late medieval York /
作者:	Stevenson, Jill.
出版者:	New York, NY :Palgrave Macmillan,2010.
面頁冊數:	xii, 264 p. :ill.
標題:	TheaterHistoryMedieval, 500-1500.England
標題:	York (England)Politics and government.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230109070

Performance, cognitive theory, and devotional culturesensual pietyin late medieval York /
Stevenson, Jill.

Performance, cognitive theory, and devotional culturesensual pietyin late medieval York /[electronic resource] :Jill Stevenson. - 1st ed. - New York, NY :Palgrave Macmillan,2010. - xii, 264 p. :ill. - Cognitive studies in literature and performance. - Cognitive studies in literature and performance..

Includes bibliographical references and index.

Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.

In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230109070Subjects--Uniform Titles:

York plays.
Subjects--Topical Terms:

478787
Theater
--History--England--Medieval, 500-1500.Subjects--Geographical Terms:

392071
York (England)
--Politics and government.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2596.Y6 / S74 2010

Dewey Class. No.: 792.1/60942843

Performance, cognitive theory, and devotional culturesensual pietyin late medieval York /
LDR:02512nmm a2200313 a 4500 001 270893
003 OCoLC
005 20101102091620.0
006 m d
007 cr nn muauu
008 101206s2010 nyua sb 001 0 eng d
020 $a 9780230109070
020 $a 0230109071
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
043 $a e-uk-en
049 $a APTA
050 1 4 $a PN2596.Y6 $b S74 2010
082 0 4 $a 792.1/60942843 $2 22
100 1 $a Stevenson, Jill. $3 478786
245 1 0 $a Performance, cognitive theory, and devotional culture $h [electronic resource] : $b sensual pietyin late medieval York / $c Jill Stevenson.
250 $a 1st ed.
260 $a New York, NY : $b Palgrave Macmillan, $c 2010.
300 $a xii, 264 p. : $b ill.
490 1 $a Cognitive studies in literature and performance
504 $a Includes bibliographical references and index.
505 0 $a Introduction : devotional modes of becoming in late medieval York --Performance literacy : theorizing medieval devotional seeing -- Material devotion : objects as performance events -- Claimingdevotional space -- Devotion and conceptual blending -- Pious body rhythms -- Empathy,entrainment, and devotional instability -- Coda : medieval sensual piety and a few twenty-first-century religiousrhythms.
520 $a In Performance, Cognitive Theory, and Devotional Culture, Jill Stevenson uses cognitive theory to explore the layperson's physical encounter with live religious performances, and to argue that laypeople's interactions with other devotional media - such as books and art objects - may also havefunctioned like performance events. By revealing the remarkable resonance between cognitive scienceand medieval visual theories,Stevenson demonstrates how understanding medieval culture can enrich thestudy of performance generally. She concludes by applying her theories of medieval performance culture to contemporary religious forms, including creationist museums, Hell Houses, and megachurches.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
630 0 0 $a York plays. $3 478792
650 0 $a Theater $z England $z York $x History $y Medieval, 500-1500. $3 478787
650 0 $a Christian drama, English (Middle) $z England $z York $x History and criticism. $3 478788
650 0 $a Mysteries and miracle-plays, English $z England $z York $x History and criticism. $3 478789
650 0 $a English drama $y To 1500 $x History and criticism. $3 178966
650 0 $a Rites and ceremonies, Medieval $z England $z York $x History. $3 478790
650 0 $a Christianity and literature $z England $z York $x History $y To 1500. $3 478791
651 0 $a York (England) $x Politics and government. $3 392071
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 0 8 $i Print version: $a Stevenson, Jill. $t Performance, cognitive theory, anddevotional culture. $b 1st ed. $d New York, NY : Palgrave Macmillan, 2010 $z 9780230103191 $w (DLC) 2009041118 $w (OCoLC)456171871
830 0 $a Cognitive studies in literature and performance. $3 461372
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230109070 $z access to fulltext (Palgrave)