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Postcolonial film :history, empire, ...

Hulme, Peter.

Postcolonial film :history, empire, resistance /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Postcolonial film :edited by Rebecca Weaver-Hightower and Peter Hulme.
其他題名:	history, empire, resistance /
其他作者:	Hulme, Peter.
出版者:	New York ;Routledge, Taylor & Francis Group,2014.
面頁冊數:	x, 316 p. :ill. ;24 cm.
標題:	Imperialism in motion pictures.
ISBN:	9780415716147 (hbk.) :

Postcolonial film :history, empire, resistance /
Postcolonial film :history, empire, resistance /edited by Rebecca Weaver-Hightower and Peter Hulme. - New York ;Routledge, Taylor & Francis Group,2014. - x, 316 p. :ill. ;24 cm. - Routledge advances in film studies,no. 30.

Includes bibliographical references and index.

New Readings of Twentieth Century Anti-Colonial Resistance Narratives. Yesterday’s Mujahiddin: Gillo Pontecorvo’s The Battle of Algiers (1966) / Nicholas Harrison -- The Sound of Broken Memory: Assia Djebar’s The Nuba of the Women of Mount Chenoua (1977) / Sarah E. Mosher -- Approximate Others: Peter Weir’s The Last Wave (1977) / Jerod Ra’ Del Hollyfield -- Life as an Ocean: Hou Hsiao-Hsien’s The Puppetmaster (1993) / Stephen Spence -- Millennial Tropes of NeoEmpire. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch’s Peut-être (1999) / Jehanne-Marie Gavarini -- No Chains on Feet or Mind: Jean-Claude Flamand Barny’s Nèg Maron (2005) / Meredith Robinson -- A Cinema of Conviviality: Ray Lawrence’s Jindabyne (2006) / Corinn Columpar -- Déjà vu All Over Again: Guy Maddin’s My Winnipeg (2007) / Cynthia Sugars -- New Imaginations of Neo-Postcolonialism. Identity and The Politics of Space: Fatih Akin’s The Edge of Heaven (2007) / Vuslat Demirkoparan -- Space and Cultural Memory: Te-Shen Wei’s Cape No.7 (2008) / Yu-wen Fu -- The Postcolonial Hybrid: Neill Blomkamp’s District 9 (2009) / Rebecca Weaver-Hightower -- The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara’s The Lost Water (2010) / Henry Schwarz -- Afterword: History, Empire, Resistance / Robert Stam and Ella Shohat.

"Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "--

ISBN: 9780415716147 (hbk.) :NT$3559

LCCN: 2013041855Subjects--Topical Terms:

478782
Imperialism in motion pictures.

LC Class. No.: PN1995.9.P6 / P68 2014

Dewey Class. No.: 791.43/6582

Postcolonial film :history, empire, resistance /
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490 0 $a Routledge advances in film studies, $v no. 30
504 $a Includes bibliographical references and index.
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520 $a "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "-- $c Provided by publisher.
650 0 $a Imperialism in motion pictures. $3 478782
650 0 $a Motion pictures $x Political aspects. $3 368506
650 0 $a Nationalism in motion pictures. $3 292893
650 0 $a Politics in motion pictures. $3 351815
700 1 $a Hulme, Peter. $3 175860
700 1 $a Weaver-Hightower, Rebecca. $3 669550