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The soul of film theory

Cooper, Sarah.

The soul of film theory

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The soul of film theorySarah Cooper.
作者:	Cooper, Sarah.
出版者:	Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan,2013.
面頁冊數:	1 online resource.
標題:	Motion picturesPhilosophy.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137328588
ISBN:	9781137328588 (electronic bk.)

The soul of film theory
Cooper, Sarah.

The soul of film theory[electronic resource] /Sarah Cooper. - Houndsmills, Basingstoke, Hampshire ;Palgrave Macmillan,2013. - 1 online resource.

Includes bibliographical references.

Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks.

"In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo M�unsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Am�ed�ee Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--

ISBN: 9781137328588 (electronic bk.)

Source: 547627Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

181377
Motion pictures
--Philosophy.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995 / .C652 2013

Dewey Class. No.: 791.4301

The soul of film theory
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245 1 4 $a The soul of film theory $h [electronic resource] / $c Sarah Cooper.
260 $a Houndsmills, Basingstoke, Hampshire ; $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource.
504 $a Includes bibliographical references.
505 8 $a Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks.
520 $a "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo M�unsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Am�ed�ee Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Motion pictures $x Philosophy. $3 181377
650 0 $a Motion pictures $x Psychological aspects. $3 221678
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650 7 $a SOCIAL SCIENCE / Media Studies. $2 bisacsh $3 564624
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism $2 bisacsh $3 565197
655 4 $a Electronic books. $2 local. $3 214472
776 $6 403871 $t The soul of film theory
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