國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Philosophy of Music." ]

切換: 標籤 | MARC模式 | ISBD

Music and fuzzy logicthe dialectics ...

Heister, Hanns-Werner.

Music and fuzzy logicthe dialectics of idea and realizations in the artwork process /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Music and fuzzy logicby Hanns-Werner Heister.
其他題名:	the dialectics of idea and realizations in the artwork process /
作者:	Heister, Hanns-Werner.
出版者:	Berlin, Heidelberg :Springer Berlin Heidelberg :2021.
面頁冊數:	xxx, 724 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Musical analysis.
電子資源:	https://doi.org/10.1007/978-3-662-62907-9
ISBN:	9783662629079$q(electronic bk.)

Music and fuzzy logicthe dialectics of idea and realizations in the artwork process /
Heister, Hanns-Werner.

Music and fuzzy logicthe dialectics of idea and realizations in the artwork process /[electronic resource] :by Hanns-Werner Heister. - Berlin, Heidelberg :Springer Berlin Heidelberg :2021. - xxx, 724 p. :ill., digital ;24 cm. - Studies in fuzziness and soft computing,v.4061434-9922 ;. - Studies in fuzziness and soft computing ;v.273..

Chapter 1: Introduction. Fuzzy Logic's Four Art-related Principles and Five Phenotypes in the Musical Process -- Chapter 2: The Structure of the Music Process and the Work's Thirteen 'Forms of Existence'. Identity in and as a Process, against and through Differences -- Chapter 3: Fundamental Fuzziness: The Imperfect Perfection -- Chapter 4: The Principle of Similarity. The Resultant of Identity and Difference -- Chapter 5: The Principle of Sharpening (I): Filtering, Cosmos out of Chaos - Aspects and Elements of Musical Materials -- Chapter 6: The Principle of Sharpening (II): Crystallization. Development and Advancement of Musical Shapes -- Chapter 7: The Principle of Blurring. Conscious, Artistically Produced Blurrings.

This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore) Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author's research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and - conscious - "blurring". In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a "Philosophy of Fuzzy Logic". Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.

ISBN: 9783662629079$q(electronic bk.)

Standard No.: 10.1007/978-3-662-62907-9doiSubjects--Topical Terms:

267512
Musical analysis.

LC Class. No.: QA9.64

Dewey Class. No.: 511.313

Music and fuzzy logicthe dialectics of idea and realizations in the artwork process /
LDR:03540nmm a2200337 a 4500 001 600551
003 DE-He213
005 20210521132926.0
006 m d
007 cr nn 008maaau
008 211104s2021 gw s 0 eng d
020 $a 9783662629079$q(electronic bk.)
020 $a 9783662629055$q(paper)
024 7 $a 10.1007/978-3-662-62907-9 $2 doi
035 $a 978-3-662-62907-9
040 $a GP $c GP
041 0 $a eng
050 4 $a QA9.64
072 7 $a UYQ $2 bicssc
072 7 $a TEC009000 $2 bisacsh
072 7 $a UYQ $2 thema
082 0 4 $a 511.313 $2 23
090 $a QA9.64 $b .H473 2021
100 1 $a Heister, Hanns-Werner. $3 895137
245 1 0 $a Music and fuzzy logic $h [electronic resource] : $b the dialectics of idea and realizations in the artwork process / $c by Hanns-Werner Heister.
260 $a Berlin, Heidelberg : $b Springer Berlin Heidelberg : $b Imprint: Springer, $c 2021.
300 $a xxx, 724 p. : $b ill., digital ; $c 24 cm.
490 1 $a Studies in fuzziness and soft computing, $x 1434-9922 ; $v v.406
505 0 $a Chapter 1: Introduction. Fuzzy Logic's Four Art-related Principles and Five Phenotypes in the Musical Process -- Chapter 2: The Structure of the Music Process and the Work's Thirteen 'Forms of Existence'. Identity in and as a Process, against and through Differences -- Chapter 3: Fundamental Fuzziness: The Imperfect Perfection -- Chapter 4: The Principle of Similarity. The Resultant of Identity and Difference -- Chapter 5: The Principle of Sharpening (I): Filtering, Cosmos out of Chaos - Aspects and Elements of Musical Materials -- Chapter 6: The Principle of Sharpening (II): Crystallization. Development and Advancement of Musical Shapes -- Chapter 7: The Principle of Blurring. Conscious, Artistically Produced Blurrings.
520 $a This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore) Being concerned with the ontological, gnoseological, psychological, and (music-) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of author's research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and - conscious - "blurring". In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a "Philosophy of Fuzzy Logic". Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields.
650 0 $a Musical analysis. $3 267512
650 0 $a Fuzzy logic. $3 181981
650 1 4 $a Computational Intelligence. $3 338479
650 2 4 $a Music. $3 227185
650 2 4 $a Mathematics in Music. $3 563603
650 2 4 $a Philosophy of Music. $3 797731
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Studies in fuzziness and soft computing ; $v v.273. $3 558583
856 4 0 $u https://doi.org/10.1007/978-3-662-62907-9
950 $a Intelligent Technologies and Robotics (SpringerNature-42732)