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Global and world art in the practice...

Davidson, Jane Chin,

Global and world art in the practice of the university museum

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Global and world art in the practice of the university museumedited by Jane Chin Davidson and Sandra Esslinger.
其他作者:	Davidson, Jane Chin,
出版者:	Abingdon, Oxon :Routledge,2018.
面頁冊數:	1 online resource (xii, 196 p.)
標題:	ArtExhibition techniques.
電子資源:	https://www.taylorfrancis.com/books/9781315621722
ISBN:	9781315621722 (ebk.)

Global and world art in the practice of the university museum
Global and world art in the practice of the university museum[electronic resource] /edited by Jane Chin Davidson and Sandra Esslinger. - Abingdon, Oxon :Routledge,2018. - 1 online resource (xii, 196 p.) - Routledge research in museum studies ;13.

Includes bibliographical references.

chapter Introduction -- Jane Chin Davidson --

"Global and World Art in the Practice of the University Museum provides new thinking on exhibitions of global art and world art in relation to university museums. Taking The Fowler Museum at UCLA, USA, as its central subject, this edited collection traces how university museum practices have expanded the understanding of the 'art object' in recent years. It is argued that the meaning of cultural objects infused with the heritage and identity of 'global culture' has been developed substantially through the innovative approaches of university scholars, museum curators, and administrators since the latter part of the twentieth century. Through exploring the ways in which university museums have overseen changes in the global context for art, this edited collection initiates a larger dialogue and inquiry into the value and contribution of the empirical model. The volume includes a full-colour photo essay by Marla C. Berns on the Fowler Museum's 'Fowler at Fifty' project, as well as contributions from Donald Preziosi, Catherine M. Cole, Lothar von Falkenhausen, Claire Farago, Selma Holo, and Gemma Rodrigues. It is important reading for professionals, scholars and advanced students alike."--Provided by publisher.

ISBN: 9781315621722 (ebk.)Subjects--Corporate Names:

875189
Fowler Museum at UCLA.
Subjects--Topical Terms:

246030
Art
--Exhibition techniques.

LC Class. No.: L797 / .G59 2017

Dewey Class. No.: 708

Global and world art in the practice of the university museum
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245 0 0 $a Global and world art in the practice of the university museum $h [electronic resource] / $c edited by Jane Chin Davidson and Sandra Esslinger.
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490 0 $a Routledge research in museum studies ; $v 13
504 $a Includes bibliographical references.
505 0 0 $t chapter Introduction -- $t A critical conversation—global/world art and the university museum / $r Jane Chin Davidson -- $t chapter 1 Fowler at Fifty -- $t Looking back, looking forward / $r Marla C. Berns -- $t chapter 2 In the light of the Fowler -- $t Art, history, museology, and . . . / $r Donald Preziosi -- $t chapter 3 Global art and world art -- $t An update on art and anthropology in the university museum / $r Jane Chin Davidson -- $t chapter 4 African art and art history’s global turn / $r Gemma Rodrigues -- $t chapter 5 East Asian art history at UCLA -- $t Its development and current challenges / $r Lothar von Falkenhausen -- $t chapter 6 Imagining art history otherwise / $r Claire Farago -- $t chapter 7 Time slip -- $t Fiat Lux Redux/Remix as university museum social practice / $r Catherine M. Cole -- $t chapter 8 Public trust -- $t The museum and the university / $r Selma Holo -- $t chapter 9 Other possible worlds -- $t The global university museum and its subjects / $r Sandra Esslinger.
520 $a "Global and World Art in the Practice of the University Museum provides new thinking on exhibitions of global art and world art in relation to university museums. Taking The Fowler Museum at UCLA, USA, as its central subject, this edited collection traces how university museum practices have expanded the understanding of the 'art object' in recent years. It is argued that the meaning of cultural objects infused with the heritage and identity of 'global culture' has been developed substantially through the innovative approaches of university scholars, museum curators, and administrators since the latter part of the twentieth century. Through exploring the ways in which university museums have overseen changes in the global context for art, this edited collection initiates a larger dialogue and inquiry into the value and contribution of the empirical model. The volume includes a full-colour photo essay by Marla C. Berns on the Fowler Museum's 'Fowler at Fifty' project, as well as contributions from Donald Preziosi, Catherine M. Cole, Lothar von Falkenhausen, Claire Farago, Selma Holo, and Gemma Rodrigues. It is important reading for professionals, scholars and advanced students alike."--Provided by publisher.
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700 1 $a Esslinger, Sandra, $e editor. $3 875191
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