國立高雄大學圖資館 |

Language: English

Back to Search results for [ subject:"Punk rock music" ]

Post-Punk, Politics and Pleasure in ...

SpringerLink (Online service)

Post-Punk, Politics and Pleasure in Britain

Record Type:	Electronic resources : Monograph/item
Title/Author:	Post-Punk, Politics and Pleasure in Britainby David Wilkinson.
Author:	Wilkinson, David.
Published:	London :Palgrave Macmillan UK :2016.
Description:	xi, 228 p. :digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Punk rock musicHistory20th century.Great Britain
Online resource:	http://dx.doi.org/10.1057/978-1-137-49780-2
ISBN:	9781137497802$q(electronic bk.)

Post-Punk, Politics and Pleasure in Britain
Wilkinson, David.

Post-Punk, Politics and Pleasure in Britain[electronic resource] /by David Wilkinson. - London :Palgrave Macmillan UK :2016. - xi, 228 p. :digital ;22 cm. - Palgrave studies in the history of subcultures and popular music. - Palgrave studies in the history of subcultures and popular music..

Preface -- 1 Introduction: Shake Your Cosy Attitudes -- 2 Post-Punk and the Politics of Post-War Popular Music -- 3 Post-Punk, Thatcherism and the Libertarian Left -- 4 Is Natural In It? Radical Theory and Educational Capital -- 5 The Politics of the Post-Punk Working Class Autodidact -- 6 Desires Bound With Briars: Freedom, Pleasure and Feminism -- 7 Agents of Change: Post-Punk and the Present.

As the Sex Pistols were breaking up, Britain was entering a new era. Punk's filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk's politics developed into the 1980s. Illustrating that the movement's monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present.

ISBN: 9781137497802$q(electronic bk.)

Standard No.: 10.1057/978-1-137-49780-2doiSubjects--Topical Terms:

758501
Punk rock music
--History--Great Britain--20th century.

LC Class. No.: ML3918.R63 / W55 2016

Dewey Class. No.: 781.660941

Post-Punk, Politics and Pleasure in Britain
LDR:02563nmm a2200325 a 4500 001 496178
003 DE-He213
005 20160831075138.0
006 m d
007 cr nn 008maaau
008 170323s2016 enk s 0 eng d
020 $a 9781137497802$q(electronic bk.)
020 $a 9781137497796$q(paper)
024 7 $a 10.1057/978-1-137-49780-2 $2 doi
035 $a 978-1-137-49780-2
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3918.R63 $b W55 2016
072 7 $a HBJD1 $2 bicssc
072 7 $a HIS015000 $2 bisacsh
082 0 4 $a 781.660941 $2 23
090 $a ML3918.R63 $b W686 2016
100 1 $a Wilkinson, David. $3 758499
245 1 0 $a Post-Punk, Politics and Pleasure in Britain $h [electronic resource] / $c by David Wilkinson.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xi, 228 p. : $b digital ; $c 22 cm.
490 1 $a Palgrave studies in the history of subcultures and popular music
505 0 $a Preface -- 1 Introduction: Shake Your Cosy Attitudes -- 2 Post-Punk and the Politics of Post-War Popular Music -- 3 Post-Punk, Thatcherism and the Libertarian Left -- 4 Is Natural In It? Radical Theory and Educational Capital -- 5 The Politics of the Post-Punk Working Class Autodidact -- 6 Desires Bound With Briars: Freedom, Pleasure and Feminism -- 7 Agents of Change: Post-Punk and the Present.
520 $a As the Sex Pistols were breaking up, Britain was entering a new era. Punk's filth and fury had burned brightly and briefly; soon a new underground offered a more sustained and constructive challenge. As future-focused, independently released singles appeared in the wake of the Sex Pistols, there were high hopes in magazines like NME and the DIY fanzine media spawned by punk. Post-Punk, Politics and Pleasure in Britain explores how post-punk's politics developed into the 1980s. Illustrating that the movement's monochrome gloom was illuminated by residual flickers of countercultural utopianism, it situates post-punk in the ideological crossfire of a key political struggle of the era: a battle over pleasure and freedom between emerging Thatcherism and libertarian, feminist and countercultural movements dating back to the post-war New Left. Case studies on bands including Gang of Four, The Fall and the Slits and labels like Rough Trade move sensitively between close reading, historical context and analysis of who made post-punk and how it was produced and mediated. The book examines, too, how the struggles of post-punk resonate down to the present.
650 0 $a Punk rock music $z Great Britain $x History $y 20th century. $3 758501
650 0 $a Post-punk music $z Great Britain. $3 758502
650 0 $a Music $x Political aspects $z Great Britain $x History $y 20th century. $3 758503
650 1 4 $a History. $3 263737
650 2 4 $a History of Britain and Ireland. $3 739805
650 2 4 $a Cultural History. $3 742092
650 2 4 $a Music. $3 227185
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Palgrave studies in the history of subcultures and popular music. $3 758500
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-49780-2
950 $a History (Springer-41172)