國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Radio and music" ]

切換: 標籤 | MARC模式 | ISBD

Classical music radio in the United ...

SpringerLink (Online service)

Classical music radio in the United Kingdom, 1945-1995

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Classical music radio in the United Kingdom, 1945-1995by Tony Stoller.
作者:	Stoller, Tony.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xvii, 297 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Radio broadcastingGreat Britain.
電子資源:	http://dx.doi.org/10.1007/978-3-319-64710-4
ISBN:	9783319647104$q(electronic bk.)

Classical music radio in the United Kingdom, 1945-1995
Stoller, Tony.

Classical music radio in the United Kingdom, 1945-1995[electronic resource] /by Tony Stoller. - Cham :Springer International Publishing :2018. - xvii, 297 p. :ill., digital ;24 cm.

Chapter 1. Introduction: The music we are accustomed to call classical -- Chapter 2. The Forties: A pyramid of taste -- Chapter 3. The Fifties: Defending the elite -- Chapter 4. The Sixties: Simple and conservative tastes -- Chapter 5. The Seventies: Breaking the monopoly -- Chapter 6. The Eighties: Keeping the Philistines at bay -- Chapter 7. The Nineties: Saga louts and dumbing down -- Chapter 8. Conclusions: Engaging on equal terms? -- Appendices -- Bibliography -- Index.

This book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.

ISBN: 9783319647104$q(electronic bk.)

Standard No.: 10.1007/978-3-319-64710-4doiSubjects--Topical Terms:

802488
Radio broadcasting
--Great Britain.

LC Class. No.: HE8697.95.G74

Dewey Class. No.: 384.540650941

Classical music radio in the United Kingdom, 1945-1995
LDR:02612nmm a2200313 a 4500 001 529423
003 DE-He213
005 20180723154548.0
006 m d
007 cr nn 008maaau
008 181105s2018 gw s 0 eng d
020 $a 9783319647104$q(electronic bk.)
020 $a 9783319647098$q(paper)
024 7 $a 10.1007/978-3-319-64710-4 $2 doi
035 $a 978-3-319-64710-4
040 $a GP $c GP
041 0 $a eng
050 4 $a HE8697.95.G74
072 7 $a HBJD1 $2 bicssc
072 7 $a HIS015000 $2 bisacsh
082 0 4 $a 384.540650941 $2 23
090 $a HE8697.95.G74 $b S875 2018
100 1 $a Stoller, Tony. $3 802487
245 1 0 $a Classical music radio in the United Kingdom, 1945-1995 $h [electronic resource] / $c by Tony Stoller.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xvii, 297 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1. Introduction: The music we are accustomed to call classical -- Chapter 2. The Forties: A pyramid of taste -- Chapter 3. The Fifties: Defending the elite -- Chapter 4. The Sixties: Simple and conservative tastes -- Chapter 5. The Seventies: Breaking the monopoly -- Chapter 6. The Eighties: Keeping the Philistines at bay -- Chapter 7. The Nineties: Saga louts and dumbing down -- Chapter 8. Conclusions: Engaging on equal terms? -- Appendices -- Bibliography -- Index.
520 $a This book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.
650 0 $a Radio broadcasting $z Great Britain. $3 802488
650 0 $a Radio and music $z Great Britain. $3 578429
650 1 4 $a History. $3 263737
650 2 4 $a History of Britain and Ireland. $3 739805
650 2 4 $a Cultural History. $3 742092
650 2 4 $a History of Modern Europe. $3 747753
650 2 4 $a Social History. $3 739807
650 2 4 $a Music. $3 227185
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-64710-4
950 $a History (Springer-41172)