Performing Arts.
Overview
Works: | 263 works in 234 publications in 234 languages |
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Titles
Arts and technologysecond International Conference, ArtsIT 2011, Esbjerg, Denmark, December 10-11, 2011 : revised selected papers /
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Class divisions on the Broadway stagethe staging and taming of the I.W.W. /
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The dangerous lives of public performersdancing, sex, and entertainment in the Islamic world /
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Mapping South Asia through contemporary theatreessays on the theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka /
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The new humor in the progressive eraAmericanization and the vaudeville comedian /
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Performance, identity, and immigration lawa theatre of undocumentedness /
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Postmodern metanarrativesBlade Runner and literature in the age of image /
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Staging the slums, slumming the stageclass, poverty, ethnicity, and sexuality in American theatre, 1890-1916 /
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Language, music, and computingfirst International Workshop, LMAC 2015, St. Petersburg, Russia, April 20-22, 2015 : revised selected papers /
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Intersecting cultures in music and dance educationan oceanic perspective /
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Beyond immersive theatreaesthetics, politics and productive participation /
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Anti-war theatre after Brechtdialectical aesthetics in the twenty-first century /
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Ethno identity dance for sex, fun and profitstaging popular dances around the world /
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Women, collective creation, and devised performancethe rise of women theatre artists in the twentieth and twenty-first centuries /
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History as theatrical metaphorhistory, myth and national identities in modern Scottish drama /
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Migrating modernist performanceBritish theatrical travels through Russia /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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The theatre of death - the uncanny in mimesisTadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Intermedial praxis and practice as research'doing-thinking' in practice /
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The theatre of Romeo Castellucci and Societas Raffaello Sanziofrom icon to iconoclasm, from word to image, from symbol to allegory /
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Reframing immersive theatrethe politics and pragmatics of participatory performance /
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The self in performanceautobiographical, self-revelatory, and autoethnographic forms of therapeutic theatre /
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Bernard Shaw, W. T. Stead, and the New JournalismWhitechapel, Parnell, Titanic, and the Great War /
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Creating performances for teaching and learninga practice session for pedagogy /
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Art and politics under modern dictatorshipsa comparison of Chile and Romania /
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Performance for resilienceengaging youth on energy and climate through music, movement, and theatre /
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Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /
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Indigenous creatures, native knowledges, and the artsanimal studies in modern worlds /
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The topos of music.geometric logic, classification, harmony, counterpoint, motives, rhythm /I,Theory
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Creative selves / creative culturescritical autoethnography, performance, and pedagogy /
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Thomas Hamblin and the Bowery Theatrethe New York reign of "Blood and Thunder" melodramas /
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Choreographing the airportfield notes from the transit spaces of global mobility /
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Exploring, experiencing, and envisioning integration in US arts education
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Theatricality and performativitywritings on texture from Plato's cave to urban activism /
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African youth languagesnew media, performing arts and sociolinguistic development /
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Theaters of errorproblems of performance in German and French enlightenment theater /
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Digital echoesspaces for intangible and performance-based cultural heritage /
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Posthuman spiritualities in contemporary performancepolitics, ecologies and perceptions /
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Embodying language in actionthe artistry of process drama in second language education /
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Economies of collaboration in performancemore than the sum of the parts /
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The theatre of imagininga cultural history of imagination in the mind and on the stage /
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The early modern theatre of cruelty and its doublesArtaud and influence /
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Beckett, Deleuze and performancea thousand failures and a thousand inventions /
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Shifting corporealities in contemporary performancedanger, im/mobility and politics /
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Kinesthetic spectatorship in the theatrephenomenology, cognition, movement /
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Performing music historymusicians speak first-hand about music history and performance /
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Poetry and pedagogy across the lifespandisciplines, classrooms, contexts /
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The reasonable audiencetheatre etiquette, behaviour policing, and the live performance experience /
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The use of Asian theatre for modern western theatrethe displaced mirror /
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Memory, identity and cognitionexplorations in culture and communication /
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The civil rights theatre movement in New York, 1939-1966staging freedom /
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Performing dream homestheater and the spatial politics of the domestic sphere /
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Translating across sensory and linguistic bordersintersemiotic journeys between media /
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Sustainable tools for precarious timesperformance actions in the Americas /
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Creative measures of the anthropoceneart, mobilities, and participatory geographies /
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Body and event in Howard Barker's dramafrom catastrophe to anastrophe in The castle and other plays /
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Pragmatist philosophy and danceinterdisciplinary dance research in the American South /
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Performances of suffering in Latin American migrationheroes, martyrs and saints /
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Contemporary African dance theatrephenomenology, whiteness, and the gaze /
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The future of musictowards a computational musical theory of everything /
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Transnational Chinese theatresintercultural performance networks in East Asia /
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What you see is what you hearcreativity and communication in audiovisual texts /
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Translated and visiting Russian theatre in Britain, 1945-2015a "Russia of the theatrical mind"? /
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Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /
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Ubuntu as dance pedagogy in Ugandaindividuality, community, and inclusion in teaching and learning of indigenous dances /
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Performing welfareapplied theatre, unemployment, and economies of participation /
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The comedy and legacy of music-hall women 1880-1920brazen impudence and boisterous vulgarity /
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Dementia, narrative and performancestaging reality, reimagining identities /
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Seeing as practicephilosophical investigations into the relation between sight and insight /
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Digital theatrethe making and meaning of live mediated performance, US & UK 1990-2020 /
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Applied theatre and sexual health communicationapertures of possibility /
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Eugenics and physical culture performance in the progressive erawatch whiteness workout /
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Pop with gods, Shakespeare, and AIpopular film, (musical) theatre, and TV drama /
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Storytelling in participatory arts with young peoplethe gaps in the story /
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Shakespeare's storytellingan introduction to genre, character, and technique /
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Space-time geometries for motion and perception in the brain and the arts
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Affects in 21st-century British theatreexploring feeling on page and stage /
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Contemporary theatre education and creative learninga great British journey /
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Polyrhythmicity in language, music and societycomplex time relations in the arts, humanities and social sciences /
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Theatre and archival memoryIrish drama and marginalised histories 1951-1977 /
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The Palgrave handbook of queer and trans feminisms in contemporary performance
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Ways of seeing in the neoliberal statea controversial play and its contexts /
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Choreographing agonismpolitics, strategies and performances of the left /
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