British and Irish Literature.
Overview
Works: | 334 works in 334 publications in 334 languages |
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Titles
Confession and memory in early modern English literaturepenitential remains /
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Passions, sympathy and print culturepublic opinion and emotional authenticity in eighteenth-century Britain /
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Time, literature, and cartography after the spatial turnthe chronometric imaginary /
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Thomas Hardy and Victorian communicationletters, telegrams and postal systems /
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Civic and medical worlds in early modern Englandperforming barbery and surgery /
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Memories of war in early modern Englandarmor and militant nostalgia in Marlowe, Sidney, and Shakespeare /
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Victorian children's literatureexperiencing abjection, empathy, and the power of love /
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Joseph Conrad among the anarchistsNineteenth Century terrorism and the secret agent /
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Adolescent girlhood and literary culture at the Fin-de-siecledaughters of today /
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Women of words in Le morte darthurthe autonomy of speech in Malory's female characters /
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Re-evaluating the literary coterie, 1580-1830from Sidney to Blackwood's /
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Utopias and dystopias in the fiction of H. G. Wells and William Morrislandscape and space /
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The emergence of pre-cinemaprint culture and the optical toy of the literary imagination /
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The Cultural Memory of Africa in African American and Black British Fiction 1970-2000specters of the shore /
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Fashioning authorship in the long eighteenth centurystylish books of poetic genius /
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The new mountaineer in late Victorian Britainmateriality, modernity, and the haptic sublime /
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Sensationalism and the Genealogy of Modernitya global nineteenth-century approach /
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The quest for Shakespearethe peculiar history and surprising legacy of the New Shakspere Society /
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Early modern women's writingdomesticity, privacy, and the public sphere in England and the Dutch Republic /
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Queering Richard Rollemystical theology and the hermit in fourteenth-century England /
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National identities and imperfections in contemporary Irish literatureunbecoming Irishness /
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Bernard Shaw and Beatrice Webb on poverty and equality in the Modern World, 1905-1914
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Bernard Shaw, W. T. Stead, and the New JournalismWhitechapel, Parnell, Titanic, and the Great War /
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Women and 'value' in Jane Austen's novelssettling, speculating and superfluity /
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Barry MacSweeney and the politics of post-war British poetryseditious things /
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Contemporary Irish poetry and the canoncritical limitations and textual liberations /
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Walking in the cityurban experience and literary psychogeography in eighteenth-century London /
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Victoria's lost pavilionfrom nineteenth-century aesthetics to digital humanities /
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D. H. Lawrence, transport and cultural transition'a great sense of journeying' /
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Incognito social investigation in British literaturecertainties in degradation /
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Second sight in the nineteenth centuryprophecy, imagination and nationhood /
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The single woman, modernity, and literary culturewomen's fiction from the 1920s to the 1940s /
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Sinister aestheticsthe appeal of evil in early modern English literature /
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Poetry and performance during the British poetry revival 1960-1980event and effect /
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Dickens and the virtual cityurban perception and the production of social space /
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British Empire and the literature of rebellionrevolting bodies, laboring subjects /
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Teaching Victorian literature in the twenty-first centurya guide to pedagogy /
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The boy detective in early British children's literaturepatrolling the borders between boyhood and manhood /
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Feminist periodicals and daily lifewomen and modernity in British culture /
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Conrad's sensational heroinesgender and representation in the late fiction of Joseph Conrad /
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Masculine identity in modernist literaturecastration, narration, and a sense of the beginning, 1919-1945 /
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The lyric in Victorian memorypoetic remembering and forgetting from Tennyson to Housman /
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Biographical misrepresentations of British women writersa hall of mirrors and the long nineteenth century /
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Haunting modernismsghostly aesthetics, mourning, and spectral resistance fantasies in literary modernism /
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British romanticism, climate change, and the anthropocenewriting Tambora /
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Fashion, dress and identity in South Asian diaspora narrativesfrom the eighteenth century century to Monica Ali /
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Henry James's feminist afterlivesAnnie Fields, Emily Dickinson, Marguerite Duras /
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Victorian environmentsacclimatizing to change in British domestic and colonial culture /
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The labour of literature in Britain and France, 1830-1910authorial work ethics /
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Inventing the gothic corpsethe thrill of human remains in the eighteenth-century novel /
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Memories from the frontlinememoirs and meanings of the Great War from Britain, France and Germany /
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Chauceroticsuncloaking the language of sex in The Canterbury Tales and Troilus and Criseyde /
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Robert Burns and the United States of Americapoetry, print, and memory 1786-1866 /
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British women's writing from Bronte to Bloomsbury.Volume 1,1840s and 1850s
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The influence of Oscar Wilde on W.B. Yeats"an echo of someone else's music" /
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Detective fiction and the problem of knowledgeperspectives on the metacognitive mystery tale /
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Beckett, Deleuze and performancea thousand failures and a thousand inventions /
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The Coleridge legacySamuel Taylor Coleridge's intellectual legacy in Britain and America, 1834-1934 /
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Christina Reid's theatre of memory and identitywithin and beyond the troubles /
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Contemporary Irish writing and environmentalismthe wearing of the deep green /
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Discourses of vision in nineteenth-century Britainseeing, thinking, writing /
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Writing displacementhome and identity in contemporary post-colonial English fiction /
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Atlantic fterlives in contemporary fictionthe oceanic imaginary in literature since the information age /
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The return of the Mughalhistorical fiction and despotism in colonial India, 1863-1908 /
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Oscar Wilde and contemporary Irish dramalearning to be Oscar's contemporary /
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Creatural fictionshuman-animal relationships in twentieth- and twenty-first-century literature /
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The post-apocalyptic novel in the twenty-first centurymodernity beyond salvage /
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Hand-made televisionstop-frame animation for children in Britain, 1961-74 /
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Writing Islam from a South Asian Muslim perspectiveRushdie, Hamid, Aslam, Shamsie /
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James Joyce's teaching life and methodslanguage and pedagogy in A portrait of the artist as a young man, Ulysses, and Finnegans wake /
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British women writers and the reception of ancient Egypt, 1840-1910imperialist representations of Egyptian women /
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Literature in the age of celestial discoveryfrom Copernicus to Flamsteed /
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British invasion and spy literature, 1871-1918historical perspectives on contemporary society /
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British Romanticism in Asiathe reception, translation, and transformation of Romantic literature in India and East Asia /
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The Queer cultures of 1930s proselanguage, identity and performance in Interwar Britain /
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The art and science of trauma and the autobiographicalnegotiated truths /
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Romanticism and popular magicpoetry and cultures of the occult in the 1790s /
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Jane Austen and William Shakespearea love affair in literature, film and performance /
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Victorian cosmopolitanism and English Catholicity in the mid-century novel
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Decadence and modernism in European and Russian literature and cultureaesthetics and anxiety in the 1890s /
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The affects, cognition, and politics of Samuel Beckett's postwar drama and fictionrevolutionary and evolutionary paradoxes /
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Blasphemy and politics in romantic literaturecreativity in the writing of Percy Bysshe Shelley /
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British women's writing from Bronte to Bloomsbury.Volume 2,1860s and 1870s
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Continental tourism, travel writing, and the consumption of culture, 1814-1900
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Birds in eighteenth-century literaturereason, emotion, and ornithology, 1700-1840 /
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Economies of literature and knowledge in early modern Europechange and exchange /
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Parents and children in the mid-Victorian noveltraumatic encounters and the formation of family /
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Traditions and difference in contemporary Irish short fictionIreland then and now /
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British sociability in the European Enlightenmentcultural practices and personal encounters /
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