Theatre History.
Overview
Works: | 156 works in 156 publications in 156 languages |
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Titles
Contemporary Japanese women's theatre and visual artsperforming girls' aesthetics /
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Queer dramaturgiesinternational perspectives on where performance leads queer /
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Breaking bad and dignityunity and fragmentation in the serial television drama /
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Anti-war theatre after Brechtdialectical aesthetics in the twenty-first century /
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Women, collective creation, and devised performancethe rise of women theatre artists in the twentieth and twenty-first centuries /
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Gilbert and Sullivan's 'respectable capers'class, respectability and the Savoy Operas 1877-1909 /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screenbecoming a character comedian /
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The theatre of Romeo Castellucci and Societas Raffaello Sanziofrom icon to iconoclasm, from word to image, from symbol to allegory /
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Revisiting Shakespeare's lost playCardenio/Double falsehood in the eighteenth century /
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Educational theatre for women in post-World War II Italya stage of their own /
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Bernard Shaw and Beatrice Webb on poverty and equality in the Modern World, 1905-1914
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Bernard Shaw, W. T. Stead, and the New JournalismWhitechapel, Parnell, Titanic, and the Great War /
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Hermenegildo and the Jesuitsstaging sainthood in the early modern period /
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Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /
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Personal narratives, peripheral theatresessays on the Great War (1914-18) /
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Thomas Hamblin and the Bowery Theatrethe New York reign of "Blood and Thunder" melodramas /
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Theaters of errorproblems of performance in German and French enlightenment theater /
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Racism and early blackface comic traditionsfrom the old world to the new /
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Theatre and Music in Manila and the Asia Pacific, 1869-1946Sounding Modernities /
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The theatre of imagininga cultural history of imagination in the mind and on the stage /
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The early modern theatre of cruelty and its doublesArtaud and influence /
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Christina Reid's theatre of memory and identitywithin and beyond the troubles /
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The use of Asian theatre for modern western theatrethe displaced mirror /
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A new history of medieval Japanese theatrenoh and kyogen from 1300 to 1600 /
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The civil rights theatre movement in New York, 1939-1966staging freedom /
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Sounding otherness in early modern drama and traveluncanny vibrations in the English archive /
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Contemporary gothic dramaattraction, consummation and consumption on the modern British stage /
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Building a representative theater corpusa broader view of nineteenth-century French /
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Transnational Chinese theatresintercultural performance networks in East Asia /
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Emotional settings in early modern pedagogical cultureHamlet, The Faerie Queene, and Arcadia /
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Economies of literature and knowledge in early modern Europechange and exchange /
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Eugenics and physical culture performance in the progressive erawatch whiteness workout /
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20 ground-breaking directors of Eastern Europe30 years after the fall of the iron curtain /
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The Colonial public and the Parsi stagethe making of the theatre of empire (1853-1893) /
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Theatre from Rhodesia to Zimbabwehegemony, identity and a contested postcolony /
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Theatre and archival memoryIrish drama and marginalised histories 1951-1977 /
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Memorialising Shakespearecommemoration and collective identity, 1916-2016 /
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Bernard Shaw on the American stagea chronicle of premieres and notable revivals /
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Maxwell anderson and the marriage crisischallenging tradition in the Jazz Age /
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From stage to screenthe legacy of traditional Chinese theatre in Chinese martial arts cinema soundtracks /
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Actors, audiences, and emotions in the eighteenth centurycommunities of sentiment /
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Losing itstaging the cultural conundrum of dementia and decline in American theatre /
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Failure, fascism, and teachers in American theatrepedagogy of the oppressors /
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Shakespeare and the theater of religious conviction in early modern England
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British and American musical theatre exchanges in the West end (1924-1970)the "Americanization" of Drury Lane /
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Dramaturgies of warinstitutional dramaturgy, politics, and conflict in 20th-century Germany /
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Bernard Shaw, Paul Ricoeur, and the Jesusian dialectics of redemptive living
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