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Carnal inscriptionsSpanish American narratives of corporeal difference and disability /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Carnal inscriptionsby Susan Antebi.
其他題名:
Spanish American narratives of corporeal difference and disability /
作者:
Antebi, Susan.
出版者:
New York :Palgrave Macmillan,2008.
面頁冊數:
xi, 239 p. :ill. ;22 cm.
標題:
Spanish American fictionHistory and criticism.
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230621664
Carnal inscriptionsSpanish American narratives of corporeal difference and disability /
Antebi, Susan.
Carnal inscriptions
Spanish American narratives of corporeal difference and disability /[electronic resource] :by Susan Antebi. - 1st ed. - New York :Palgrave Macmillan,2008. - xi, 239 p. :ill. ;22 cm. - New concepts in Latino American cultures. - New concepts in Latino American cultures..
Includes bibliographical references (p. [217]-226) and index.
Caliban and Coney Island : corporeal difference in the Crâonicas of Josâe Martâi and Josâe Juan Tablada -- "La doble y âunica mujer" : the doubled bodies of Pablo Palacio and Jorge Velasco Mackenzie -- Corporeal difference as ethnicity -- Performance and revenge -- Photographic fictions and corporeal geographies -- Gabriela Brimmer : enabling testimonio
While Latin American literary tradition frequently has been read with attention to monstrosity or the calibanesque, as overarching metaphors of collective identity or otherness, the specific roles and potentialagency of disabled people as such rarely have been addressed in the context of thisliterature. Carnal Inscriptions explores manifestations of physical disability in Spanish American narrative fiction and performance, from Josâe Marít's late nineteenth century curnicas, to Mario Bellaítn's twenty-first century novels, from the performances of GuillermoGomez-Pñea and Coco Fusco to the testimonio and filmic depictions of Gabriela Brimmer. Readings combine critical approaches from the fields of Latin American cultural studies and disability studies, and emphasizeintersections anddisjunctures between metaphors of corporeal difference and monstrosity, and material histories of disabled or otherwise different bodies.� The book calls for an ethics of interpretation, addressing the lived experiences of individual bodies and communities, through their entanglement with narrative and performative representation. This analysis points towards redefinitions of corporeality and disability in the contexts of Spanish American cultural production, and contributes to contemporary scholarly interest in disability and performance.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230621664
Standard No.: 10.1057/9780230621664doiSubjects--Topical Terms:
305580
Spanish American fiction
--History and criticism.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PQ7082.N7 / A765 2008
Dewey Class. No.: 863/.640935287
Carnal inscriptionsSpanish American narratives of corporeal difference and disability /
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Caliban and Coney Island : corporeal difference in the Crâonicas of Josâe Martâi and Josâe Juan Tablada -- "La doble y âunica mujer" : the doubled bodies of Pablo Palacio and Jorge Velasco Mackenzie -- Corporeal difference as ethnicity -- Performance and revenge -- Photographic fictions and corporeal geographies -- Gabriela Brimmer : enabling testimonio
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While Latin American literary tradition frequently has been read with attention to monstrosity or the calibanesque, as overarching metaphors of collective identity or otherness, the specific roles and potentialagency of disabled people as such rarely have been addressed in the context of thisliterature. Carnal Inscriptions explores manifestations of physical disability in Spanish American narrative fiction and performance, from Josâe Marít's late nineteenth century curnicas, to Mario Bellaítn's twenty-first century novels, from the performances of GuillermoGomez-Pñea and Coco Fusco to the testimonio and filmic depictions of Gabriela Brimmer. Readings combine critical approaches from the fields of Latin American cultural studies and disability studies, and emphasizeintersections anddisjunctures between metaphors of corporeal difference and monstrosity, and material histories of disabled or otherwise different bodies.� The book calls for an ethics of interpretation, addressing the lived experiences of individual bodies and communities, through their entanglement with narrative and performative representation. This analysis points towards redefinitions of corporeality and disability in the contexts of Spanish American cultural production, and contributes to contemporary scholarly interest in disability and performance.
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