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Fundamentalism and literature
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Fundamentalism and literatureedited by Catherine Pesso-Miquel and Klaus Stierstorfer.
其他作者:
Pesso-Miquel, Catherine.
出版者:
New York ;Palgrave Macmillan,2007.
面頁冊數:
vi, 220 p.
標題:
English literatureHistory and criticism.
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230601864
Fundamentalism and literature
Fundamentalism and literature
[electronic resource] /edited by Catherine Pesso-Miquel and Klaus Stierstorfer. - New York ;Palgrave Macmillan,2007. - vi, 220 p.
Includes bibliographical references and index.
Introduction: Fundamentalism and Literature--Catherine Pesso-Miquel,Klaus Stierstorfer * PartI: Historical Probes * To the Shore of Tripoli': Milton, Islam, and the Attacks on America and Spain--Gordon Campbell * Jonathan Swift and the Idea of the Fundamental Church--Anne Gardiner Part II: The Many Guises of Fundamentalism: Expanding Visions * Different Aspects of Fundamentalism and Tolerance in Ayub Khan Din's East is East, Last Dance at Dum Dum, Brian Friel's Dancing at Lughnasa and Frank McGuinness' Someone Who'll Watch Over Me--Nuvid Alemdaroglu * The 'Aesthetics' of Fundamentalismin Recent Jewish Fiction in English--AxelSäthler * Part III: Beyond the Binary: Literary Interventions in Polarization * Deconstructing Fundamentalisms in Hanif Kureishi's The Black Album--Wendy O'Shea-Meddour * From Enlightenment to the Prison of Light: Reverting to Parsi Fundamentalism in RohintonMistry's Family Matters--Catherine Pesso-Miquel * Doubling of Parts: Arundhati Roy as Novelistand Political Critic--Susanne Peters * Part IV: Fundamentalism in Post/Modernist Contexts * Tariq Ali andRecent Negotiations of Fundamentalism--Klaus Stierstorfer * Literature as the Schismatic Other of the Sacred Text or Itself Sacred? The Black Album by Hanif Kureishi--Helga Ramsey-Kurz * Never BetterThan When Late: The Left Behind Series and the Incongruities of Fundamentalist Idealisms--Kevin Cope.
Ever since Ayatollah Khomeini declared the notorious fatwa against novelist Salman Rushdie in1989, the fact that literature and fundamentalism have mutual resonances has become obvious. With recent events, from the 9/11 World Trade Centre mayhem to the wars in Afghanistan and Iraq, fundamentalism has become one of the most pressing concerns of our time. This volume explores its manifold reverberations in writing in English. The contributions approach the phenomenon of fundamentalism in its various guises, which are not restricted to Islamic fundamentalism. They explore fundamentalism?schanging and ambiguous relationships with literature, showing literature as neither complicit nor simply subversive but as an open field where negotiations still appear possible.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230601864
Standard No.: 10.1057/9780230601864doiSubjects--Topical Terms:
178874
English literature
--History and criticism.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR830.R5 / F86 2007eb
Dewey Class. No.: 820.9382
Fundamentalism and literature
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edited by Catherine Pesso-Miquel and Klaus Stierstorfer.
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Introduction: Fundamentalism and Literature--Catherine Pesso-Miquel,Klaus Stierstorfer * PartI: Historical Probes * To the Shore of Tripoli': Milton, Islam, and the Attacks on America and Spain--Gordon Campbell * Jonathan Swift and the Idea of the Fundamental Church--Anne Gardiner Part II: The Many Guises of Fundamentalism: Expanding Visions * Different Aspects of Fundamentalism and Tolerance in Ayub Khan Din's East is East, Last Dance at Dum Dum, Brian Friel's Dancing at Lughnasa and Frank McGuinness' Someone Who'll Watch Over Me--Nuvid Alemdaroglu * The 'Aesthetics' of Fundamentalismin Recent Jewish Fiction in English--AxelSäthler * Part III: Beyond the Binary: Literary Interventions in Polarization * Deconstructing Fundamentalisms in Hanif Kureishi's The Black Album--Wendy O'Shea-Meddour * From Enlightenment to the Prison of Light: Reverting to Parsi Fundamentalism in RohintonMistry's Family Matters--Catherine Pesso-Miquel * Doubling of Parts: Arundhati Roy as Novelistand Political Critic--Susanne Peters * Part IV: Fundamentalism in Post/Modernist Contexts * Tariq Ali andRecent Negotiations of Fundamentalism--Klaus Stierstorfer * Literature as the Schismatic Other of the Sacred Text or Itself Sacred? The Black Album by Hanif Kureishi--Helga Ramsey-Kurz * Never BetterThan When Late: The Left Behind Series and the Incongruities of Fundamentalist Idealisms--Kevin Cope.
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"To the shores of Tripoli": Milton, Islam, and the attacks on American and Spain /
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Jonathan Swift and the idea of the fundamental church /
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Anne Barbeau Gardiner --
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The "aesthetics" of fundamentalism in recent Jewish fiction in English /
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Beyond the binary: literary interventions in polarization.
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Deconstructing fundamentalisms in Hanif Kureishi's The black album /
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From Enlightenment to the prison of light: reverting to Parsi fundamentalism in Rohinton Mistry's Family matters/
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Catherine Pesso-Miquel --
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Doubling of parts: Arundhati Roy as novelist and political critic /
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Susanne Peters --
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Fundamentalism inpost/modernist contexts.
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Tariq Ali and recentnegotiations of fundamentalism /
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Klaus Stierstorfer --
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Literature as the "Schismatic other of thesacred text" or itself sacred? The Black album by Hanif Kureishi /
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Helga Ramsey-Kurz --
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Never better than late: the Left behind seriesand the incongruities of fundamentalist idealisms /
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Kevin L. Cope.
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Ever since Ayatollah Khomeini declared the notorious fatwa against novelist Salman Rushdie in1989, the fact that literature and fundamentalism have mutual resonances has become obvious. With recent events, from the 9/11 World Trade Centre mayhem to the wars in Afghanistan and Iraq, fundamentalism has become one of the most pressing concerns of our time. This volume explores its manifold reverberations in writing in English. The contributions approach the phenomenon of fundamentalism in its various guises, which are not restricted to Islamic fundamentalism. They explore fundamentalism?schanging and ambiguous relationships with literature, showing literature as neither complicit nor simply subversive but as an open field where negotiations still appear possible.
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