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Langland's early modern identities

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Langland's early modern identitiesSarah A. Kelen.
作者:	Kelen, Sarah A.,
出版者:	New York :Palgrave Macmillan,2007.
面頁冊數:	225 p.
標題:	Authors and readersHistory.England
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230608764

Langland's early modern identities
Kelen, Sarah A.,1968-

Langland's early modern identities[electronic resource] /Sarah A. Kelen. - 1st ed. - New York :Palgrave Macmillan,2007. - 225 p. - The new Middle Ages. - New Middle Ages (Palgrave Macmillan (Firm)).

Includes bibliographical references (p. [197]-211) and index.

The birth of Langland -- A proliferation of Plowmen -- Langland anthologized -- Langland recontextualized -- Fictions of authorship, fictions of English literature.

Langland's Early Modern Identities uses the methodologies of cultural studies and the historyof the book to show how readers of the sixteenth through the early nineteenth century successively remade Piers Plowman according to their own ideologies of the Middle Ages. These early modern responses to Piers Plowman demonstrate the political as well as the aesthetic underpinnings of canon formation.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230608764

Standard No.: 10.1057/9780230608764doiSubjects--Personal Names:

176879
Langland, William,
1330?-1400?Subjects--Topical Terms:

475257
Authors and readers
--History.--EnglandIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR2015 / .K45 2007eb

Dewey Class. No.: 821/.1

Langland's early modern identities
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490 1 $a The new Middle Ages
504 $a Includes bibliographical references (p. [197]-211) and index.
505 0 $a The birth of Langland -- A proliferation of Plowmen -- Langland anthologized -- Langland recontextualized -- Fictions of authorship, fictions of English literature.
520 $a Langland's Early Modern Identities uses the methodologies of cultural studies and the historyof the book to show how readers of the sixteenth through the early nineteenth century successively remade Piers Plowman according to their own ideologies of the Middle Ages. These early modern responses to Piers Plowman demonstrate the political as well as the aesthetic underpinnings of canon formation.
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