語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Indonesian postcolonial theatrespectral genealogies and absent faces /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Indonesian postcolonial theatreEvan Darwin Winet.
其他題名:
spectral genealogies and absent faces /
作者:
Winet, Evan Darwin,
出版者:
Basingstoke [England] ;Palgrave Macmillan,2010.
面頁冊數:
xvi, 262 p. :ill.
標題:
Theater and societyIndonesia.
標題:
Indonesien.
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230246676
Indonesian postcolonial theatrespectral genealogies and absent faces /
Winet, Evan Darwin,1971-
Indonesian postcolonial theatre
spectral genealogies and absent faces /[electronic resource] :Evan Darwin Winet. - Basingstoke [England] ;Palgrave Macmillan,2010. - xvi, 262 p. :ill. - Studies in international performance.
Includes bibliographical references and index.
-- List of Illustrations -- Series Editor's Preface -- Preface -- Introduction: colonial foundations and precessions of postcoloniality -- Unimaginable Communities: theatres of Eurasian and Chinese Batavia -- Sites of Disappearance: expatriate ghosts on ephemeral stages -- DespiteTheir Failings: spectres of foreign professionalism -- Hamlet and Caligula: echoes of a voice, unclear in origin-- Umat as Rakyat: performing Islam through veils of nationalism -- Teater Reformasi: the lingeringsmile of the absent father -- Conclusion: forgetting the monotonous nation -- Appendix. a timeline of'Indonesian' and 'Batavian' histories -- Notes -- Works Cited -- Index --.
Contemporary Indonesia is haunted by two millenia of migrations and inspirations from throughout Eurasia. However, the colonial administration in Batavia ultimately condensed the archipelago's heterogeneity into a distinction between Natives and the West, a distinction that has informed the national discourse ever since. Indonesia's modern theatre paradoxically uses its reliance on Western dramaturgies and theatrical traditions to transcend the parochialism of local ethnic performance traditions. However, it's authenticity as an indigenous tradition is consequently always in doubt. In the postcolonial metropole, theatre artists represent Indonesia vis?--vis spectres of an exogenous other. Indonesian Postcolonial Theatre explores genealogies of theatrical practice in colonial Bataviaand postcolonial Jakarta from a performance of Hamlet under siege in the warehouses of the Dutch East Indies Company to Ratna Sarumpaet's feminist Muslim Antigones. The book identifies structural, thematic and historiographical patterns linking the colonial to the postcolonial eras; patterns that often conflict with the prevailing historical narratives of the revolutionary nationalists and the Soeharto generation. The material investigated includes original and adapted dramatic repertoires and canons; genealogies of troupes and acting traditions;performance venues and spatial politics. Winet foregrounds the perspectives and debates of Indonesian practitioners and critics while framingthe overall project through a combination of performance studies and phenomenology.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230246676Subjects--Topical Terms:
478074
Theater and society
--Indonesia.Subjects--Geographical Terms:
478073
Indonesien.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN2904 / .W56 2010
Dewey Class. No.: 306.4/84809598
Indonesian postcolonial theatrespectral genealogies and absent faces /
LDR
:03499cmm a2200301 a 4500
001
270640
003
OCoLC
005
20101102091528.0
006
m d
007
cr nn muauu
008
101206s2010 enka sb 001 0 eng d
020
$a
9780230246676
020
$a
0230246672
040
$a
UKPGM
$b
eng
$c
UKPGM
041
0
$a
eng
043
$a
a-io---
049
$a
APTA
050
1 4
$a
PN2904
$b
.W56 2010
082
0 4
$a
306.4/84809598
$2
22
100
1
$a
Winet, Evan Darwin,
$d
1971-
$3
478071
245
1 0
$a
Indonesian postcolonial theatre
$h
[electronic resource] :
$b
spectral genealogies and absent faces /
$c
Evan Darwin Winet.
260
$a
Basingstoke [England] ;
$a
New York :
$b
Palgrave Macmillan,
$c
2010.
300
$a
xvi, 262 p. :
$b
ill.
490
0
$a
Studies in international performance
504
$a
Includes bibliographical references and index.
505
0
$a
-- List of Illustrations -- Series Editor's Preface -- Preface -- Introduction: colonial foundations and precessions of postcoloniality -- Unimaginable Communities: theatres of Eurasian and Chinese Batavia -- Sites of Disappearance: expatriate ghosts on ephemeral stages -- DespiteTheir Failings: spectres of foreign professionalism -- Hamlet and Caligula: echoes of a voice, unclear in origin-- Umat as Rakyat: performing Islam through veils of nationalism -- Teater Reformasi: the lingeringsmile of the absent father -- Conclusion: forgetting the monotonous nation -- Appendix. a timeline of'Indonesian' and 'Batavian' histories -- Notes -- Works Cited -- Index --.
520
$a
Contemporary Indonesia is haunted by two millenia of migrations and inspirations from throughout Eurasia. However, the colonial administration in Batavia ultimately condensed the archipelago's heterogeneity into a distinction between Natives and the West, a distinction that has informed the national discourse ever since. Indonesia's modern theatre paradoxically uses its reliance on Western dramaturgies and theatrical traditions to transcend the parochialism of local ethnic performance traditions. However, it's authenticity as an indigenous tradition is consequently always in doubt. In the postcolonial metropole, theatre artists represent Indonesia vis?--vis spectres of an exogenous other. Indonesian Postcolonial Theatre explores genealogies of theatrical practice in colonial Bataviaand postcolonial Jakarta from a performance of Hamlet under siege in the warehouses of the Dutch East Indies Company to Ratna Sarumpaet's feminist Muslim Antigones. The book identifies structural, thematic and historiographical patterns linking the colonial to the postcolonial eras; patterns that often conflict with the prevailing historical narratives of the revolutionary nationalists and the Soeharto generation. The material investigated includes original and adapted dramatic repertoires and canons; genealogies of troupes and acting traditions;performance venues and spatial politics. Winet foregrounds the perspectives and debates of Indonesian practitioners and critics while framingthe overall project through a combination of performance studies and phenomenology.
533
$a
Electronic reproduction.
$b
Basingstoke, England :
$c
Palgrave Macmillan,
$d
2010.
$n
Mode of access:World Wide Web.
$n
System requirements: Web browser.
$n
Title from title screen (viewed on July 14, 2010).
$n
Access may be restricted to users at subscribing institutions.
650
0
$a
Theater and society
$z
Indonesia.
$3
478074
650
0
$a
Theater
$z
Indonesia
$x
History
$y
20th century.
$3
478075
650
0 7
$a
Theater.
$3
212696
650
0 7
$a
Drama.
$3
179480
651
7
$a
Indonesien.
$2
swd
$3
478073
651
7
$a
Indonesische Sprachen.
$2
swd
$3
478072
655
7
$a
Electronic books.
$2
local.
$3
214472
710
2
$a
Palgrave Connect (Online service)
$3
459825
776
1
$c
Original
$z
9780230546882
$z
0230546889
$w
(DLC) 2009048533
$w
(OCoLC)234435785
856
4 0
$3
Palgrave Connect
$u
https://link.springer.com/book/10.1057/9780230246676
$z
access to fulltext (Palgrave)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000048873
電子館藏
1圖書
電子書
EB PN2904 .W56 2010
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
https://link.springer.com/book/10.1057/9780230246676
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入