國立高雄大學圖資館 |

登入

回首頁

Post-jazz poeticsa social history /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Post-jazz poeticsJennifer D. Ryan.
其他題名:	a social history /
作者:	Ryan, Jennifer D.,
出版者:	New York :Palgrave Macmillan,2010.
面頁冊數:	xi, 225 p. :ill.
標題:	African American womenIntellectual life20th century.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230109094

Post-jazz poeticsa social history /
Ryan, Jennifer D.,1974-

Post-jazz poeticsa social history /[electronic resource] :Jennifer D. Ryan. - 1st ed. - New York :Palgrave Macmillan,2010. - xi, 225 p. :ill.

Includes bibliographical references (p. [199]-216) and index.

Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.

African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black womenhave created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-basedcompositional devices represent a new strand of radical black poetics, while their renditions of local-to-globalsocial critique sketch the outlines of a transnational feminism.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230109094Subjects--Personal Names:

478488
Sanchez, Sonia,
1934---Criticism and interpretation.Subjects--Topical Terms:

353257
African American women
--Intellectual life--20th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PS310.J39 / R93 2010

Dewey Class. No.: 811/.5409928708996073

Post-jazz poeticsa social history /
LDR:02575nmm a2200301 a 4500 001 270780
003 OCoLC
005 20101102091634.0
006 m d
007 cr nn muauu
008 101206s2010 nyua sb 001 0 eng d
020 $a 9780230109094
020 $a 0230109098
040 $a UKPGM $b eng $c UKPGM
041 0 $a eng
043 $a n-us---
049 $a APTA
050 1 4 $a PS310.J39 $b R93 2010
082 0 4 $a 811/.5409928708996073 $2 22
100 1 $a Ryan, Jennifer D., $d 1974- $3 478486
245 1 0 $a Post-jazz poetics $h [electronic resource] : $b a social history / $c Jennifer D. Ryan.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2010.
300 $a xi, 225 p. : $b ill.
504 $a Includes bibliographical references (p. [199]-216) and index.
505 0 $a Introduction: How do I make that sound? a new feminist poetics -- Finding her voice: the bodypolitics of Sherley Anne Williams's blues -- Nationhood re-formed: revolutionary style and practicein Sonia Sanchez's jazz poetics -- Talk to me: ecofeminist disruptions in the jazz poetry of Jayne Cortez -- Shape-shifting: the urban geographies of Wanda Coleman's jazz poetry -- Jazz's word for it: Harryette Mullen and the politics of intellectualism -- Conclusion: "Too many books for our eyes":future politics, future poetries.
520 $a African-American expressive arts draw upon multiple traditions of formal experimentation in the service of social change. Within these traditions, Jennifer D. Ryan demonstrates that black womenhave created literature, music, and political statements signifying some of the most incisive and complex elements of modern American culture. Post-Jazz Poetics: A Social History examines the jazz-influenced work of five twentieth-century African-American women poets: Sherley Anne Williams, Sonia Sanchez, Jayne Cortez, Wanda Coleman, and Harryette Mullen. These writers' engagements with jazz-basedcompositional devices represent a new strand of radical black poetics, while their renditions of local-to-globalsocial critique sketch the outlines of a transnational feminism.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2010. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Sep. 27, 2010). $n Access may be restricted to users at subscribing institutions.
600 1 0 $a Sanchez, Sonia, $d 1934- $x Criticism and interpretation. $3 478488
600 1 0 $a Cortez, Jayne $x Criticism and interpretation. $3 478489
600 1 0 $a Coleman, Wanda $x Criticism and interpretation. $3 478490
600 1 0 $a Mullen, Harryette Romell $x Criticism and interpretation. $3 478491
600 1 0 $a Williams, Sherley Anne, $d 1944-1999 $x Criticism and interpretation. $3 478487
650 0 $a African American women $x Intellectual life $y 20th century. $3 353257
650 0 $a Feminism and literature $z United States $x History $y 20th century. $3 215588
650 0 $a Poetics $x History $y 20th century. $3 221668
650 0 $a Music and literature $x History $y 20th century. $3 475409
650 0 $a American poetry $x African American authors $x History and criticism. $3 398611
650 0 $a American poetry $x Women authors $x History and criticism. $3 191211
650 0 $a Jazz in literature. $3 478492
650 0 $a Literature and society $z United States $x History $y 20th century. $3 369587
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 0 8 $i Print version: $a Ryan, Jennifer D., 1974- $t Post-jazz poetics. $b 1st ed. $d New York : Palgrave Macmillan, 2010 $z 9780230623156 $w (DLC) 2009041140 $w (OCoLC)437300371
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9780230109094 $z access to fulltext (Palgrave)