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Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black PrinceSunHee Kim Gertz.
作者:
Gertz, Sunhee Kim,
出版者:
New York :Palgrave Macmillan,2010.
面頁冊數:
xx, 227 p. :ill.
標題:
Literature, MedievalHistory and criticism.
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230106536
Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince
Gertz, Sunhee Kim,1951-
Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince
[electronic resource] /SunHee Kim Gertz. - 1st ed. - New York :Palgrave Macmillan,2010. - xx, 227 p. :ill. - The new Middle Ages. - New Middle Ages (Palgrave Macmillan (Firm)).
Includes bibliographical references and index.
Fame and Fèurstenspiegel -- Renâe d'Anjou's Negotiations with Fame: Creating for a Future Past -- Chaucer's House of Fame: The Quasi-Iconoclastic Present -- Edward the Black Prince, The Future King.
Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how Renâe d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power.While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame's intoxicating butdeceptively simple promise of elite glory.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230106536Subjects--Personal Names:
177993
Chaucer, Geoffrey,
d. 1400.Subjects--Topical Terms:
179040
Literature, Medieval
--History and criticism.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN682.V59 / G47 2010
Dewey Class. No.: 820.9/353
Visual power and fame in Renâe d'Anjou, Geoffrey Chaucer, and the Black Prince
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Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how Renâe d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power.While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame's intoxicating butdeceptively simple promise of elite glory.
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