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Mysticism in the mid-century novel

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Mysticism in the mid-century novelJames Clements.
作者:	Clements, James,
出版者:	New York, NY :Palgrave Macmillan,c2011.
面頁冊數:	1 online resource (p.)
標題:	LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
電子資源:	https://link.springer.com/book/10.1057/9780230353923
ISBN:	9780230353923 (electronic bk.)

Mysticism in the mid-century novel
Clements, James,1980-

Mysticism in the mid-century novel[electronic resource] /James Clements. - New York, NY :Palgrave Macmillan,c2011. - 1 online resource (p.)

Includes bibliographical references and index.

Acknowledgements -- Introduction: The Middle Is Everywhere -- Towards an Ideal Limit: Linguistic Authority in the Work of Iris Murdoch -- From Apophasis to Aporia: William Golding and the Indescribable -- Verbal Sludge: The Ethics of Instability in Patrick White's Prose -- Bliss From Bricks: Saul Bellow's Moral Phenomenology -- Conclusion: Drawing Circles In The Sea: Un-Defining the 'Mystical Novelist' -- Endnotes -- Works Cited -- Index --.

The mid-century novelist has often been regarded as occupying an ambiguous intermediary period, lost somewhere in the no-man's-land between modernism and postmodernism. This book challenges this view by proposing that many of the period's most significant writers b6 s Iris Murdoch, William Golding, Patrick White, and Saul Bellow b6 s were united by a distinct and common concern: to return the increasingly interior novel to the world, and, by extension, to ethical engagement. They did this not by reviving the now-antiquated nineteenth-century realist novel, but by devising a new type of novel, one concerned with unveiling a transcendent Good that exists outside of the spheres of society, politics, and the individual will. To do this, without ignoring the philosophical ideas that had led to the novel's apparent impoverishment b6 s the opacity of language, and the loss of stable external sources of meaning b6 s they drew upon techniques and concepts from the canon of mystical literature: a body of writing that had long been devising methods of approaching the ineffable through literary means.

ISBN: 9780230353923 (electronic bk.)

Source: 520907Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

439445
Murdoch, Iris
--Criticism and interpretation.Subjects--Topical Terms:

564790
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR888.M93 / C54 2011

Dewey Class. No.: 823/.91409

Mysticism in the mid-century novel
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505 0 $a Acknowledgements -- Introduction: The Middle Is Everywhere -- Towards an Ideal Limit: Linguistic Authority in the Work of Iris Murdoch -- From Apophasis to Aporia: William Golding and the Indescribable -- Verbal Sludge: The Ethics of Instability in Patrick White's Prose -- Bliss From Bricks: Saul Bellow's Moral Phenomenology -- Conclusion: Drawing Circles In The Sea: Un-Defining the 'Mystical Novelist' -- Endnotes -- Works Cited -- Index --.
505 0 $a Introduction : the middle is everywhere -- Towards an ideal limit : linguistic authority in the work of Iris Murdoch -- From apophasis to aporia : William Golding and the indescribable -- Verbal sludge : the ethics of instability in Patrick White's prose -- Bliss from bricks : Saul Bellow's moral phenomenology -- Conclusion: drawing circles in the sea : un-defining the 'mystical novelist' -- Endnotes.
520 $a The mid-century novelist has often been regarded as occupying an ambiguous intermediary period, lost somewhere in the no-man's-land between modernism and postmodernism. This book challenges this view by proposing that many of the period's most significant writers b6 s Iris Murdoch, William Golding, Patrick White, and Saul Bellow b6 s were united by a distinct and common concern: to return the increasingly interior novel to the world, and, by extension, to ethical engagement. They did this not by reviving the now-antiquated nineteenth-century realist novel, but by devising a new type of novel, one concerned with unveiling a transcendent Good that exists outside of the spheres of society, politics, and the individual will. To do this, without ignoring the philosophical ideas that had led to the novel's apparent impoverishment b6 s the opacity of language, and the loss of stable external sources of meaning b6 s they drew upon techniques and concepts from the canon of mystical literature: a body of writing that had long been devising methods of approaching the ineffable through literary means.
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