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The history of British women's writing
~
Batchelor, Jennie, (1976-)
The history of British women's writing
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The history of British women's writing[general editors, Jennie Batchelor and Cora Kaplan].
其他作者:
Batchelor, Jennie,
出版者:
Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2010-<2011>
面頁冊數:
1 online resource (v. <2-5>) :ill.
標題:
English literatureWomen authors
電子資源:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9780230360020 (electronic bk.)
The history of British women's writing
The history of British women's writing
[electronic resource] /[general editors, Jennie Batchelor and Cora Kaplan]. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2010-<2011> - 1 online resource (v. <2-5>) :ill.
Includes bibliographical references and indexes.
Acknowledgments -- Notes on Contributors -- Chronology -- Introduction: Writing a History of Women's Writing from 700 to 1500; L. Herbert McAvoy� & D. Watt -- PART I: PRE-TEXTS AND CONTEXTS -- Women and the Origins of English Literature; C.A. Lees� & G.R. Overing -- Literary Production Before and After the Conquest; C.A.M. Clarke -- The French of the English and Early British Women's Literary Culture; C. Batt -- Women Writers in Wales; J. Cartwright -- Medieval Antifeminism; A. Bernau -- PART II: BODIES, BEHAVIOURS AND TEXTS -- Romance; C. Saunders� -- Saints' Lives; S. Horner� -- Devotional Literature; M.M. Sauer� -- Marian Literature; S. Niebryzdowski� -- Late Medieval Conduct Literature; M.J. Seaman -- PART III: LITERACIES AND LITERARY CULTURES -- Women and their Manuscripts; C.M. Meale� -- Women and Reading; L. Farina� -- Women and Networks of Literary Production; E. Robertson� -- Anonymous Writers; L.H. McAvoy� -- Women Translators; A. Barratt� -- Women's Letters, 1350-1500; J. Daybell -- PART IV: FEMALE AUTHORITY -- Christine de Pizan and Joan of Arc; N.B. Warren� -- Mary of Oignies; J.N. Brown� -- Bridget of Sweden; L. Saetveit Miles� -- Catherine of Siena; A.C. Gri�s� -- Julian of Norwich; A. Appleford� -- Margery Kempe; D. Watt� -- 'A Revelation of Purgatory'; M.C. Erler -- Bibliography -- Index.
This volume focuses on women's literary history in Britain between 700 and 1500, a period traditionally marginalized in accounts of women's writing in English. Such marginalization, the editors argue, has been brought about in part by the erroneous assumption that there were no women writers operating in Britain before the emergence of Julian of Norwich and Margery Kempe in the fourteenth and fifteenth centuries. The History of British Women's Writing 700-1500 therefore vigorously refutes this premise by focusing on a wide range of texts written by, for, and in collaboration with women from the Anglo-Saxon period through to the beginning of the sixteenth century. By also considering women's writing in the context of the deeply multicultural and multilingual milieu which was medieval 'Britain', it uncovers a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman as well as in the English vernacular and, in so doing, demands a rethinking of the long-established traditions of 'English' literary history b6 s and even the concept of 'writing' itself.
ISBN: 9780230360020 (electronic bk.)
Source: 369098Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
175250
English literature
--Women authorsIndex Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR111 / .H57 2010
Dewey Class. No.: 820.9/9287
The history of British women's writing
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Acknowledgments -- Notes on Contributors -- Chronology -- Introduction: Writing a History of Women's Writing from 700 to 1500; L. Herbert McAvoy� & D. Watt -- PART I: PRE-TEXTS AND CONTEXTS -- Women and the Origins of English Literature; C.A. Lees� & G.R. Overing -- Literary Production Before and After the Conquest; C.A.M. Clarke -- The French of the English and Early British Women's Literary Culture; C. Batt -- Women Writers in Wales; J. Cartwright -- Medieval Antifeminism; A. Bernau -- PART II: BODIES, BEHAVIOURS AND TEXTS -- Romance; C. Saunders� -- Saints' Lives; S. Horner� -- Devotional Literature; M.M. Sauer� -- Marian Literature; S. Niebryzdowski� -- Late Medieval Conduct Literature; M.J. Seaman -- PART III: LITERACIES AND LITERARY CULTURES -- Women and their Manuscripts; C.M. Meale� -- Women and Reading; L. Farina� -- Women and Networks of Literary Production; E. Robertson� -- Anonymous Writers; L.H. McAvoy� -- Women Translators; A. Barratt� -- Women's Letters, 1350-1500; J. Daybell -- PART IV: FEMALE AUTHORITY -- Christine de Pizan and Joan of Arc; N.B. Warren� -- Mary of Oignies; J.N. Brown� -- Bridget of Sweden; L. Saetveit Miles� -- Catherine of Siena; A.C. Gri�s� -- Julian of Norwich; A. Appleford� -- Margery Kempe; D. Watt� -- 'A Revelation of Purgatory'; M.C. Erler -- Bibliography -- Index.
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V. 1. 700-1500 / edited by Liz Herbert McAvoy and Diane Watt -- v. 2. 1500-1610 / edited by Caroline Bicks and Jennifer Summit -- v. 3. 1610-1690 / edited by Mihoko Suzuki -- v. 4. 1690-1750 / edited by Ros Ballaster -- v. 5. 1750-1830 / edited by Jacqueline M. Labbe.
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This volume focuses on women's literary history in Britain between 700 and 1500, a period traditionally marginalized in accounts of women's writing in English. Such marginalization, the editors argue, has been brought about in part by the erroneous assumption that there were no women writers operating in Britain before the emergence of Julian of Norwich and Margery Kempe in the fourteenth and fifteenth centuries. The History of British Women's Writing 700-1500 therefore vigorously refutes this premise by focusing on a wide range of texts written by, for, and in collaboration with women from the Anglo-Saxon period through to the beginning of the sixteenth century. By also considering women's writing in the context of the deeply multicultural and multilingual milieu which was medieval 'Britain', it uncovers a wide range of women's literary activity undertaken in Latin, Welsh and Anglo-Norman as well as in the English vernacular and, in so doing, demands a rethinking of the long-established traditions of 'English' literary history b6 s and even the concept of 'writing' itself.
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