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Knowing Shakespearesenses, embodimen...

Gallagher, Lowell, (1953-)

Knowing Shakespearesenses, embodiment and cognition /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Knowing Shakespeareedited by Lowell Gallagher and Shankar Raman.
其他題名:	senses, embodiment and cognition /
其他作者:	Gallagher, Lowell,
出版者:	Basingstoke, Hampshire ;Palgrave Macmillan,2010.
面頁冊數:	1 online resource (ix, 270 p.)
標題:	Senses and sensation in literature.
電子資源:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230299092 (electronic bk.)

Knowing Shakespearesenses, embodiment and cognition /
Knowing Shakespearesenses, embodiment and cognition /[electronic resource] :edited by Lowell Gallagher and Shankar Raman. - Basingstoke, Hampshire ;Palgrave Macmillan,2010. - 1 online resource (ix, 270 p.) - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..

Includes bibliographical references and index.

Macbeth and the perils of conjecture / Sean H. McDowell -- Eying and wording in Cymbeline / Bruce R. Smith -- 'O, she's warm': touch in The winter's tale / Evelyn Tribble -- Falling into extremity / Patricia Cahill -- Roman world, Egyptian earth: cognitive difference in Shakespeare's Antony and Cleopatra / Mary Thomas Crane -- Hamlet in motion / Shankar Raman -- Artifactual knowledge in Hamlet / Howard Marchitello -- 'Rich eyes and poor hands': theaters of early modern experience / Adam Rzepka -- 'Repeat to me the words of the echo': listening to The tempest / Allison Kay Deutermann -- Mind the gaps: the ear, the eye, and the senses of a woman in Much ado about nothing / Diana E. Henderson.

Knowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare.

ISBN: 9780230299092 (electronic bk.)

Source: 417644Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:

178768
Senses and sensation in literature.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR2976 / .K646 2010

Dewey Class. No.: 822.3/3

Knowing Shakespearesenses, embodiment and cognition /
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520 $a Knowing Shakespeare describes the rich variance of embodied and sensory perception in early modern culture. The volume's cross-disciplinary emphasis enhances understanding of the 'sense' of sensing in Shakespeare's idiom by bringing schemes from early modern natural philosophy and rhetorical arts into critical conversation with concepts drawn from historical phenomenology, cognitive science and trauma theory. Collectively the essays, many of which are written by leading Shakespeare scholars, detail the range of issues; social, political, ethical, and aesthetic--to be found in the theatrical performance of diverse and sometimes competing languages and gestures of embodied, sensory perception on Shakespeare's stage. An important investment of many of the essays is to demonstrate how neglected legacies of philosophical scepticism and materialist developments in phenomenological thought shed light on the performative range of gender as embodied and voiced in Shakespeare's dramaturgy. The scope of the volume thus presents a timely survey of recent and innovative thinking about the critical role of the senses in Shakespeare.
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