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微生物意象轉化之燈具設計 = Image of Micobes Tran...
~
國立高雄大學創意設計與建築學系碩士班
微生物意象轉化之燈具設計 = Image of Micobes Transformed into Lamp Design
Record Type:
Language materials, printed : monographic
Paralel Title:
Image of Micobes Transformed into Lamp Design
Author:
李玟葶,
Secondary Intellectual Responsibility:
國立高雄大學
Place of Publication:
[高雄市]
Published:
撰者;
Year of Publication:
2014[民103]
Description:
73面圖,表 : 30公分;
Subject:
仿生
Subject:
microbes
Online resource:
http://handle.ncl.edu.tw/11296/ndltd/58717412015663014243
Notes:
參考書目:面65-66
Notes:
103年12月16日公開
Summary:
自古以來,自然環境,都是人類學習模仿的對象,從外觀的描繪、造型的模仿到顏色搭配等等,而從工業革命以來,長期對環境的迫害、汙染,使得各式生態保育的問題不斷提出,科學家們開始從自然界中找尋答案,而仿生這門模仿生物技術的科學也由此出現。本創作設計則是以微生物的意象及造型轉化來做設計,微生物是指肉眼無法看見的微小生物,卻是生物界不可缺少的一環,其體積極之微小,故相對面積較大,物質吸收快,轉化快。並利用微生物繁衍、生長、吸收、轉換、變動及本身的特性等等,搭配在設計品上,讓作品以有機體的造型呈現,發展出微生物多變的可能性,及生物藝術的可能,即使是微小不可見,卻不能忽視它所展現的生命力及強度。 Throughout history, human beings have tried to imitate nature, this includes exterior depiction, modeling and coloring. After the Industrial Revolution, due to heavy pollution, human beings have suggested many ecological conservation plans. Scientists started to find answers within nature, and they thus become the foundation for bionics. The design is made by imagery and modeling of microorganism. “Microorganisms” are small organisms human beings can’t see, but they are indispensable in the biosphere. Its volume is small, therefore its relative area is large. The design utilizes many characteristics from microorganism such as reproduction, growth, absorption, conversion and transformation. This modeling of organism is the development from endless possibility of the ever changing microorganism and bio-art. Even-though microorganism is small, one cannot ignore its vitality and strength.
微生物意象轉化之燈具設計 = Image of Micobes Transformed into Lamp Design
李, 玟葶
微生物意象轉化之燈具設計
= Image of Micobes Transformed into Lamp Design / 李玟葶撰 - [高雄市] : 撰者, 2014[民103]. - 73面 ; 圖,表 ; 30公分.
參考書目:面65-66103年12月16日公開.
仿生microbes
微生物意象轉化之燈具設計 = Image of Micobes Transformed into Lamp Design
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自古以來,自然環境,都是人類學習模仿的對象,從外觀的描繪、造型的模仿到顏色搭配等等,而從工業革命以來,長期對環境的迫害、汙染,使得各式生態保育的問題不斷提出,科學家們開始從自然界中找尋答案,而仿生這門模仿生物技術的科學也由此出現。本創作設計則是以微生物的意象及造型轉化來做設計,微生物是指肉眼無法看見的微小生物,卻是生物界不可缺少的一環,其體積極之微小,故相對面積較大,物質吸收快,轉化快。並利用微生物繁衍、生長、吸收、轉換、變動及本身的特性等等,搭配在設計品上,讓作品以有機體的造型呈現,發展出微生物多變的可能性,及生物藝術的可能,即使是微小不可見,卻不能忽視它所展現的生命力及強度。 Throughout history, human beings have tried to imitate nature, this includes exterior depiction, modeling and coloring. After the Industrial Revolution, due to heavy pollution, human beings have suggested many ecological conservation plans. Scientists started to find answers within nature, and they thus become the foundation for bionics. The design is made by imagery and modeling of microorganism. “Microorganisms” are small organisms human beings can’t see, but they are indispensable in the biosphere. Its volume is small, therefore its relative area is large. The design utilizes many characteristics from microorganism such as reproduction, growth, absorption, conversion and transformation. This modeling of organism is the development from endless possibility of the ever changing microorganism and bio-art. Even-though microorganism is small, one cannot ignore its vitality and strength.
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http://handle.ncl.edu.tw/11296/ndltd/58717412015663014243
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