語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Figurations in Indian film /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Figurations in Indian film /edited by Meheli Sen, Rutgers University, USA, and Anustup Basu, University of Illinois at Urbana-Champaign, USA.
其他作者:
Basu, Anustup,
面頁冊數:
1 online resource.
標題:
Human body in motion pictures.
標題:
India.
電子資源:
https://link.springer.com/book/10.1057/9781137349781
ISBN:
1137349786 (electronic bk.)
Figurations in Indian film /
Figurations in Indian film /
edited by Meheli Sen, Rutgers University, USA, and Anustup Basu, University of Illinois at Urbana-Champaign, USA. - 1 online resource.
Introduction: Meheli Sen -- Part 1. Political and typological figures -- Sensate outlaws: the recursive social bandit in Indian popular cultures / Bishnupriya Ghosha��a�� -- What happened to Khadi? dress and costume in Bombay cinema / Anupama Kapse -- Configuring the other: the detective and the real in Satyajit Ray's Chiriakhana / Gautam Basu Thakur -- Part 2. Generic mutations -- Diverting diseases / M. Madhava Prasad -- Nevla as Dracula: figurations of the tantric as monster in the Hindi horror film / Usha Iyer -- Haunted havelis and hapless heroes: gender, genre and the Hindi gothic film / Meheli Sen -- Part 3. Star figures -- "The face that launched a thousand ships": Helen and public femininity in Hindi film / Anustup Basu -- From Superman to Shahenshah: stardom and the transfigurative body of Hrithik Roshan / Nandana Bose -- Con-figurations: the body as world in Bollywood stardom / Sumita S. Chakravarty -- Part 4. Figuring (out) new Bollywood -- Metafiguring Bollywood: (Brecht after Om Shanti Om) / Bhaskar Sarkar -- Bodies in syncopation / Moinak Biswas -- Between Violetta and Vasantasena is Toulouse-Lautrec: cinematic avatars and Bollywood in Moulin Rouge! / Kirsten Strayer -- Afterword: Anustup Basu.
Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.
ISBN: 1137349786 (electronic bk.)
Source: 493430Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
461607
Human body in motion pictures.
Subjects--Geographical Terms:
181382
India.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN1993.5.I8
Dewey Class. No.: 791.430954
Figurations in Indian film /
LDR
:03776cmm a2200373Ki 4500
001
438354
003
OCoLC
005
20140910115748.0
006
m o d
007
cr cnu---unuuu
008
150123s2013 enk o 000 0 eng d
020
$a
1137349786 (electronic bk.)
020
$a
9781137349781 (electronic bk.)
029
1
$a
DKDLA
$b
820120-katalog:000656310
029
1
$a
NLGGC
$b
371265576
035
$a
(OCoLC)863997302
035
$a
ocn863997302
037
$a
493430
$b
Palgrave Macmillan
$n
http://www.palgraveconnect.com
040
$a
UKPGM
$b
eng
$e
rda
$e
pn
$c
UKPGM
$d
OCLCO
$d
IDEBK
$d
CDX
$d
DKDLA
$d
N
$d
YDXCP
$d
E7B
$d
OCLCO
$d
OCLCF
043
$a
a-ii---
049
$a
TEFA
050
4
$a
PN1993.5.I8
072
7
$a
PER
$x
009000
$2
bisacsh
082
0 4
$a
791.430954
$2
23
245
0 0
$a
Figurations in Indian film /
$c
edited by Meheli Sen, Rutgers University, USA, and Anustup Basu, University of Illinois at Urbana-Champaign, USA.
264
1
$a
Houndmills, Basingstoke, Hampshire, [England] :
$b
Palgrave Macmillan,
$c
2013.
300
$a
1 online resource.
336
$a
text
$b
txt
$2
rdacontent
337
$a
computer
$b
c
$2
rdamedia
338
$a
online resource
$b
cr
$2
rdacarrier
505
0
$a
Introduction: Meheli Sen -- Part 1. Political and typological figures -- Sensate outlaws: the recursive social bandit in Indian popular cultures / Bishnupriya Ghosha��a�� -- What happened to Khadi? dress and costume in Bombay cinema / Anupama Kapse -- Configuring the other: the detective and the real in Satyajit Ray's Chiriakhana / Gautam Basu Thakur -- Part 2. Generic mutations -- Diverting diseases / M. Madhava Prasad -- Nevla as Dracula: figurations of the tantric as monster in the Hindi horror film / Usha Iyer -- Haunted havelis and hapless heroes: gender, genre and the Hindi gothic film / Meheli Sen -- Part 3. Star figures -- "The face that launched a thousand ships": Helen and public femininity in Hindi film / Anustup Basu -- From Superman to Shahenshah: stardom and the transfigurative body of Hrithik Roshan / Nandana Bose -- Con-figurations: the body as world in Bollywood stardom / Sumita S. Chakravarty -- Part 4. Figuring (out) new Bollywood -- Metafiguring Bollywood: (Brecht after Om Shanti Om) / Bhaskar Sarkar -- Bodies in syncopation / Moinak Biswas -- Between Violetta and Vasantasena is Toulouse-Lautrec: cinematic avatars and Bollywood in Moulin Rouge! / Kirsten Strayer -- Afterword: Anustup Basu.
520
$a
Indian cinematic traditions have always relied on eclectic ways of figuration that combine signs and affects of desire and abomination. That is, incarnations often emerge at critical interfaces between good/bad, Indian/western, self/other, virtue/vice, myth/reality, and so on. Such figures are products of discontinuous assembling processes that cut through dyadic arrangements and pass the same character/body/identity via different, often contradictory, moral economies and sign systems. These many-armed, complex modes of figuration carry a special tenacity in Indian cinema for many reasons, but perhaps most importantly because the template of classical realist narration usually has had limited authority over its proceedings. Perpetually caught between the home and the world, between elation and agony, such cinematic entities carry in them the diverse, contending energies of the overall assembling arena of Indian modernity itself. The essays in this volume consider the issue of figuration in the broadest sense, including formations that are supra-individual, animalistic, divine and machinic.
588
$a
Description based on print version record.
650
0
$a
Human body in motion pictures.
$3
461607
650
0
$a
Motion picture industry
$z
India.
$3
465825
650
0
$a
Motion pictures
$x
Philosophy.
$3
181377
650
0
$a
Motion pictures
$z
India.
$3
232890
650
7
$a
Film theory & criticism
$z
India
$2
bicssc
$3
686494
650
7
$a
Motion picture industry.
$3
365144
650
7
$a
Motion pictures.
$3
179142
650
7
$a
PERFORMING ARTS / Reference
$2
bisacsh
$3
584618
650
7
$a
Performing Arts
$3
254697
651
7
$a
India.
$3
181382
655
4
$a
Electronic books.
$2
local.
$3
214472
700
1
$a
Basu, Anustup,
$e
editor of compilation.
$3
686492
700
1
$a
Sen, Meheli,
$d
1976-
$e
editor of compilation.
$3
686493
776
0 8
$i
Print version:
$t
Figurations in Indian film
$z
9780230291799
$w
(DLC) 2013044382
$w
(OCoLC)856053408
856
4 0
$3
Palgrave Connect
$u
https://link.springer.com/book/10.1057/9781137349781
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000100442
電子館藏
1圖書
電子書
EB PN1993.5.I8
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
https://link.springer.com/book/10.1057/9781137349781
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入