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British television drama :past, present and future /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	British television drama :edited by Jonathan Bignell, Stephen Lacey.
其他題名:	past, present and future /
其他作者:	Bignell, Jonathan,
面頁冊數:	1 online resource.
附註:	Previous edition: Basingstoke: Palgrave, 2000.
標題:	1900 - 1999
標題:	English dramaHistory and criticism.20th century
電子資源:	https://link.springer.com/book/10.1057/9781137327581
ISBN:	1137327588 (electronic bk.)

British television drama :past, present and future /
British television drama :past, present and future /edited by Jonathan Bignell, Stephen Lacey. - Second edition. - 1 online resource.

Previous edition: Basingstoke: Palgrave, 2000.

Includes bibliographical references and index.

1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 "Brookside": The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: "Coronation Street" in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of "Persuasion"; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in "The Sarah Jane Adventures"; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving "Waterloo Road" from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam.

"British Television Drama" provides resources for critical thinking about key aspects of television drama in Britain since 1960, including institutional, textual, cultural, economic and audience-centred modes of study. It presents and contests significant strands of critical work in the field, since the essays by TV professionals reveal their strongly-held views about TV (which often conflict productively with the views of fellow contributors) and the academics offer reasoned and more developed arguments that advance understanding. The new edition includes a revised chapter by acclaimed TV producer Tony Garnett reflecting on his work since "Cathy Come Home" in the 1960s, new chapters by Phil Redmond the creator of" Brookside" and "Hollyoaks", and Cameron Roach, Head of Drama Commissioning at Sky TV and former executive producer of "Waterloo Road". New academic analyses include work on "Downton Abbey", "The Sarah Jane Adventures", "Ashes to Ashes", adaptations of "Persuasion", and the changing production methods on "Coronation Street". The book's three sections are framed by new introductory essays by the editors to establish and contextualise the primary concerns and methodologies of each chapter.

ISBN: 1137327588 (electronic bk.)

Source: 667628Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

177498
English drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

685464
Criticism, interpretation, etc.

LC Class. No.: PN1992.3.G7

Dewey Class. No.: 822.02509

British television drama :past, present and future /
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245 0 0 $a British television drama : $b past, present and future / $c edited by Jonathan Bignell, Stephen Lacey.
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504 $a Includes bibliographical references and index.
505 0 $a 1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 "Brookside": The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: "Coronation Street" in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of "Persuasion"; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in "The Sarah Jane Adventures"; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving "Waterloo Road" from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam.
520 $a "British Television Drama" provides resources for critical thinking about key aspects of television drama in Britain since 1960, including institutional, textual, cultural, economic and audience-centred modes of study. It presents and contests significant strands of critical work in the field, since the essays by TV professionals reveal their strongly-held views about TV (which often conflict productively with the views of fellow contributors) and the academics offer reasoned and more developed arguments that advance understanding. The new edition includes a revised chapter by acclaimed TV producer Tony Garnett reflecting on his work since "Cathy Come Home" in the 1960s, new chapters by Phil Redmond the creator of" Brookside" and "Hollyoaks", and Cameron Roach, Head of Drama Commissioning at Sky TV and former executive producer of "Waterloo Road". New academic analyses include work on "Downton Abbey", "The Sarah Jane Adventures", "Ashes to Ashes", adaptations of "Persuasion", and the changing production methods on "Coronation Street". The book's three sections are framed by new introductory essays by the editors to establish and contextualise the primary concerns and methodologies of each chapter.
588 $a Description based on print version record.
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650 0 $a English drama $y 20th century $x History and criticism. $3 177498
650 0 $a Television plays. $3 311263
650 7 $a English drama. $3 217421
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655 7 $a Electronic books. $2 local. $3 214472
700 1 $a Bignell, Jonathan, $e editor. $3 688300
700 1 $a Lacey, Stephen, $d 1952- $3 179503
710 2 $a Palgrave Connect (Online service) $3 459825
776 0 8 $i Print version: $t British television drama. $b 2nd edition $z 9781137327567 $w (OCoLC)874930548
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137327581