國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁 到查詢結果 [ subject:"Intera�c�ao fluido-estrutura." ]

切換: 標籤 | MARC模式 | ISBD

The cyborg subjectreality, conscious...

Benjamin, Garfield.

The cyborg subjectreality, consciousness, parallax /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The cyborg subjectby Garfield Benjamin.
其他題名:	reality, consciousness, parallax /
作者:	Benjamin, Garfield.
出版者:	London :Palgrave Macmillan UK :2016.
面頁冊數:	xv, 232 p. :digital ;22 cm.
Contained By:	Springer eBooks
標題:	Information society.
電子資源:	http://dx.doi.org/10.1057/978-1-137-58449-6
ISBN:	9781137584496$q(electronic bk.)

The cyborg subjectreality, consciousness, parallax /
Benjamin, Garfield.

The cyborg subjectreality, consciousness, parallax /[electronic resource] :by Garfield Benjamin. - London :Palgrave Macmillan UK :2016. - xv, 232 p. :digital ;22 cm.

Introduction -- 1.The Cyborg Subject: An Introduction -- 2.The Open Subject: Media(Tion) Between Worlds -- 3.The Empty Subject: Void-In-Itself -- 4.The Absent Subject: Objet A-Vatar -- 5.The Undead Subject: Virtual Monsters -- 6.The Impossible Subject: Cyborg Future.

This book outlines a new conception of the cyborg in terms of consciousness as the parallax gap between physical and digital worlds. The contemporary subject constructs its own internal reality in the interplay of the Virtual and the Real. Reinterpreting the work of Slavoj Zizek and Gilles Deleuze in terms of the psychological and ontological construction of the digital, alongside the philosophy of quantum physics, this book offers a challenge to materialist perspectives in the fluid cyberspace that is ever permeating our lives. The inclusion of the subject in its own epistemological framework establishes a model for an engaged spectatorship of reality. Through the analysis of online media, digital art, avatars, computer games and science fiction, a new model of cyborg culture reveals the opportunities for critical and creative interventions in the contemporary subjective experience, promoting an awareness of the parallax position we all occupy between physical and digital worlds. Garfield Benjamin is a cultural theorist and digital artist working with issues of subjectivity and reality in the digital age. He completed his PhD in Digital Technology Theory and Practice at the University of Wolverhampton, UK. His internationally exhibited digital art practice includes computer-generated images, interactive games and augmented reality.

ISBN: 9781137584496$q(electronic bk.)

Standard No.: 10.1057/978-1-137-58449-6doiSubjects--Topical Terms:

192122
Information society.

LC Class. No.: HM851 / .B4565 2016

Dewey Class. No.: 006.3

The cyborg subjectreality, consciousness, parallax /
LDR:02574nmm a2200313 a 4500 001 490695
003 DE-He213
005 20161129103203.0
006 m d
007 cr nn 008maaau
008 170118s2016 enk s 0 eng d
020 $a 9781137584496$q(electronic bk.)
020 $a 9781137584489$q(paper)
024 7 $a 10.1057/978-1-137-58449-6 $2 doi
035 $a 978-1-137-58449-6
040 $a GP $c GP
041 0 $a eng
050 4 $a HM851 $b .B4565 2016
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
082 0 4 $a 006.3 $2 23
090 $a HM851 $b .B468 2016
100 1 $a Benjamin, Garfield. $3 750251
245 1 4 $a The cyborg subject $h [electronic resource] : $b reality, consciousness, parallax / $c by Garfield Benjamin.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xv, 232 p. : $b digital ; $c 22 cm.
505 0 $a Introduction -- 1.The Cyborg Subject: An Introduction -- 2.The Open Subject: Media(Tion) Between Worlds -- 3.The Empty Subject: Void-In-Itself -- 4.The Absent Subject: Objet A-Vatar -- 5.The Undead Subject: Virtual Monsters -- 6.The Impossible Subject: Cyborg Future.
520 $a This book outlines a new conception of the cyborg in terms of consciousness as the parallax gap between physical and digital worlds. The contemporary subject constructs its own internal reality in the interplay of the Virtual and the Real. Reinterpreting the work of Slavoj Zizek and Gilles Deleuze in terms of the psychological and ontological construction of the digital, alongside the philosophy of quantum physics, this book offers a challenge to materialist perspectives in the fluid cyberspace that is ever permeating our lives. The inclusion of the subject in its own epistemological framework establishes a model for an engaged spectatorship of reality. Through the analysis of online media, digital art, avatars, computer games and science fiction, a new model of cyborg culture reveals the opportunities for critical and creative interventions in the contemporary subjective experience, promoting an awareness of the parallax position we all occupy between physical and digital worlds. Garfield Benjamin is a cultural theorist and digital artist working with issues of subjectivity and reality in the digital age. He completed his PhD in Digital Technology Theory and Practice at the University of Wolverhampton, UK. His internationally exhibited digital art practice includes computer-generated images, interactive games and augmented reality.
650 0 $a Information society. $3 192122
650 0 $a Digital media $x Social aspects. $3 304984
650 0 $a Subject (Philosophy) $3 215553
650 0 $a Cyborgs. $3 641440
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Cultural Theory. $3 744952
650 2 4 $a Media Studies. $2 ukslc $3 688971
650 2 4 $a Arts. $3 176960
650 2 4 $a Ontology. $3 176396
650 2 4 $a Philosophy of Science. $3 277156
650 2 4 $a Artificial Intelligence (incl. Robotics) $3 252959
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-58449-6
950 $a Literature, Cultural and Media Studies (Springer-41173)