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A theory of narrative drawing

Grennan, Simon.

A theory of narrative drawing

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A theory of narrative drawingby Simon Grennan.
作者:	Grennan, Simon.
出版者:	New York :Palgrave Macmillan US :2017.
面頁冊數:	xii, 277 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	DrawingTechnique.
電子資源:	http://dx.doi.org/10.1057/978-1-137-51844-6
ISBN:	9781137518446$q(electronic bk.)

A theory of narrative drawing
Grennan, Simon.

A theory of narrative drawing[electronic resource] /by Simon Grennan. - New York :Palgrave Macmillan US :2017. - xii, 277 p. :ill., digital ;24 cm. - Palgrave studies in comics and graphic novels. - Palgrave studies in comics and graphic novels..

Chapter 1: Drawing, depicting and imagining -- Chapter 2: Narrative -- Chapter 3: Drawing Demonstration One: expounding another's thought in the style of that thought -- Chapter 4: Drawing Demonstration Two: time and self-observation.

This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.

ISBN: 9781137518446$q(electronic bk.)

Standard No.: 10.1057/978-1-137-51844-6doiSubjects--Topical Terms:

202712
Drawing
--Technique.

LC Class. No.: NC730 / .G74 2017

Dewey Class. No.: 741.2

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520 $a This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book's originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.
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