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Scars and woundsfilm and legacies of...

Hodgin, Nick.

Scars and woundsfilm and legacies of trauma /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Scars and woundsedited by Nick Hodgin, Amit Thakkar.
其他題名:	film and legacies of trauma /
其他作者:	Hodgin, Nick.
出版者:	Cham :Springer International Publishing :2017.
面頁冊數:	xii, 299 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion picturesHistory.
電子資源:	http://dx.doi.org/10.1007/978-3-319-41024-1
ISBN:	9783319410241$q(electronic bk.)

Scars and woundsfilm and legacies of trauma /
Scars and woundsfilm and legacies of trauma /[electronic resource] :edited by Nick Hodgin, Amit Thakkar. - Cham :Springer International Publishing :2017. - xii, 299 p. :ill., digital ;24 cm.

This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of 'scar-formation' rather than event-centred 'wound-creation'.

ISBN: 9783319410241$q(electronic bk.)

Standard No.: 10.1007/978-3-319-41024-1doiSubjects--Topical Terms:

176200
Motion pictures
--History.

LC Class. No.: PN1995.9.P7828 / S33 2017

Dewey Class. No.: 791.43655

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520 $a This book examines recent cinematic representations of the traumatic legacies of national and international events and processes. Whilst not ignoring European and Hollywood cinema, it includes studies of films about countries which have been less well-represented in cinematic trauma studies, including Australia, Rwanda, Chile and Iran. Each essay establishes national and international contexts that are relevant to the films considered. All essays also deal with form, whether this means the use of specific techniques to represent certain aspects of trauma or challenges to certain genre conventions to make them more adaptable to the traumatic legacies addressed by directors. The editors argue that the healing processes associated with such legacies can helpfully be studied through the idiom of 'scar-formation' rather than event-centred 'wound-creation'.
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