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Historical theory and methods throug...
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McClure, Daniel Robert.
Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Historical theory and methods through popular music, 1970-2000by Kenneth L. Shonk, Jr., Daniel Robert McClure.
其他題名:
"Those are the New Saints" /
作者:
Shonk, Kenneth L.
其他作者:
McClure, Daniel Robert.
出版者:
London :Palgrave Macmillan UK :2017.
面頁冊數:
xii, 311 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
MusicSocial aspects.
電子資源:
http://dx.doi.org/10.1057/978-1-137-57072-7
ISBN:
9781137570727$q(electronic bk.)
Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /
Shonk, Kenneth L.
Historical theory and methods through popular music, 1970-2000
"Those are the New Saints" /[electronic resource] :by Kenneth L. Shonk, Jr., Daniel Robert McClure. - London :Palgrave Macmillan UK :2017. - xii, 311 p. :ill., digital ;24 cm. - Pop music, culture and identity. - Pop music, culture and identity..
1. Introduction: Those are the new saints -- 2. "'400 Years': Modernity, the Longue Duree, and Jamaican Music, 1600s-1980s" -- 3."This Charming Man: Queer and Alternative Masculinities, 1970-1994" -- 4."Will the Wolf Survive?": Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000." -- 5. "A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000" -- 6. "The Pride of History": Post-Punk and the Aesthetics of Postmodernity -- 7. "Waveless--MTV and the 'Quiet' Feminism of the 1980s" -- 8. "Hiraeth--The Celtic Moment in 1980s Alternative Rock" -- 9. "Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era" -- 10. "No Depression: The Nostalgia and Authenticity of Alternative Country" -- 11. Conclusion.
This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity--an explicit positioning of one's expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.
ISBN: 9781137570727$q(electronic bk.)
Standard No.: 10.1057/978-1-137-57072-7doiSubjects--Topical Terms:
187643
Music
--Social aspects.
LC Class. No.: ML3917.U6 / S56 2017
Dewey Class. No.: 306.48420973
Historical theory and methods through popular music, 1970-2000"Those are the New Saints" /
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1. Introduction: Those are the new saints -- 2. "'400 Years': Modernity, the Longue Duree, and Jamaican Music, 1600s-1980s" -- 3."This Charming Man: Queer and Alternative Masculinities, 1970-1994" -- 4."Will the Wolf Survive?": Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000." -- 5. "A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000" -- 6. "The Pride of History": Post-Punk and the Aesthetics of Postmodernity -- 7. "Waveless--MTV and the 'Quiet' Feminism of the 1980s" -- 8. "Hiraeth--The Celtic Moment in 1980s Alternative Rock" -- 9. "Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era" -- 10. "No Depression: The Nostalgia and Authenticity of Alternative Country" -- 11. Conclusion.
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