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Anna of Denmark and Henrietta Mariav...
~
Anne, (Queen, consort of James I, King of England,) (1574-1619.)
Anna of Denmark and Henrietta Mariavirgins, witches, and Catholic queens /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Anna of Denmark and Henrietta Mariaby Susan Dunn-Hensley.
其他題名:
virgins, witches, and Catholic queens /
作者:
Dunn-Hensley, Susan.
出版者:
Cham :Springer International Publishing :2017.
面頁冊數:
ix, 230 p. :ill., digital ;22 cm.
Contained By:
Springer eBooks
標題:
QueensBiography.Great Britain
標題:
EnglandSocial life and customsTo 1066.
電子資源:
http://dx.doi.org/10.1007/978-3-319-63227-8
ISBN:
9783319632278$q(electronic bk.)
Anna of Denmark and Henrietta Mariavirgins, witches, and Catholic queens /
Dunn-Hensley, Susan.
Anna of Denmark and Henrietta Maria
virgins, witches, and Catholic queens /[electronic resource] :by Susan Dunn-Hensley. - Cham :Springer International Publishing :2017. - ix, 230 p. :ill., digital ;22 cm. - Queenship and power. - Queenship and power..
1. Introduction -- 2. Anna of Denmark and Henrietta Maria: Catholic Queens in a Protestant Land -- 3. Witches and Queens: Queen Anna and Representations of Female Power -- 4. Performing Power: Gender, Authority, and Catholicism in Anna's English Masques -- 5. Finding Anna: Anna's Influence on Early Jacobean Theatre and Her Legacy -- 6. Henrietta Maria: The Esther to Her Oppressed People -- 7. Envisioning a Catholic Utopia: The Faithful Shepherdess and The Shepherd's Paradise -- 8. Salmacida Spolia: The Last Masque of the Caroline Period and the English Civil War.
This book examines how early Stuart queens navigated their roles as political players and artistic patrons in a culture deeply conflicted about the legitimacy of female authority. Anna of Denmark and Henrietta Maria both employed powerful female archetypes such as Amazons and the Virgin Mary in court performances. Susan Dunn-Hensley analyzes how darker images of usurping, contaminating women, epitomized by the witch, often merged with these celebratory depictions. By tracing these competing representations through the Jacobean and Caroline periods, Dunn-Hensley peels back layers of misogyny from historical scholarship and points to rich new lines of inquiry. Few have written about Anna's religious beliefs, and comparing her Catholicism with Henrietta Maria's illuminates the ways in which both women were politically subversive. This book offers an important corrective to centuries of negative representation, and contributes to a fuller understanding of the role of queenship in the English Civil War and the fall of the Stuart monarchy.
ISBN: 9783319632278$q(electronic bk.)
Standard No.: 10.1007/978-3-319-63227-8doiSubjects--Personal Names:
794699
Anne,
Queen, consort of James I, King of England,1574-1619.Subjects--Topical Terms:
477306
Queens
--Great Britain--Biography.Subjects--Geographical Terms:
391938
England
--Social life and customs--To 1066.
LC Class. No.: DA391.1.A1 / D86 2017
Dewey Class. No.: 941.0610922
Anna of Denmark and Henrietta Mariavirgins, witches, and Catholic queens /
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1. Introduction -- 2. Anna of Denmark and Henrietta Maria: Catholic Queens in a Protestant Land -- 3. Witches and Queens: Queen Anna and Representations of Female Power -- 4. Performing Power: Gender, Authority, and Catholicism in Anna's English Masques -- 5. Finding Anna: Anna's Influence on Early Jacobean Theatre and Her Legacy -- 6. Henrietta Maria: The Esther to Her Oppressed People -- 7. Envisioning a Catholic Utopia: The Faithful Shepherdess and The Shepherd's Paradise -- 8. Salmacida Spolia: The Last Masque of the Caroline Period and the English Civil War.
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This book examines how early Stuart queens navigated their roles as political players and artistic patrons in a culture deeply conflicted about the legitimacy of female authority. Anna of Denmark and Henrietta Maria both employed powerful female archetypes such as Amazons and the Virgin Mary in court performances. Susan Dunn-Hensley analyzes how darker images of usurping, contaminating women, epitomized by the witch, often merged with these celebratory depictions. By tracing these competing representations through the Jacobean and Caroline periods, Dunn-Hensley peels back layers of misogyny from historical scholarship and points to rich new lines of inquiry. Few have written about Anna's religious beliefs, and comparing her Catholicism with Henrietta Maria's illuminates the ways in which both women were politically subversive. This book offers an important corrective to centuries of negative representation, and contributes to a fuller understanding of the role of queenship in the English Civil War and the fall of the Stuart monarchy.
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