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Reading books and prints as cultural...
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Europe
Reading books and prints as cultural objects
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Reading books and prints as cultural objectsedited by Evanghelia Stead.
其他作者:
Stead, Evanghelia.
出版者:
Cham :Springer International Publishing :2018.
面頁冊數:
xi, 317 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Illustrated booksHistory and criticism.Europe
標題:
Europe
電子資源:
http://dx.doi.org/10.1007/978-3-319-53832-7
ISBN:
9783319538327$q(electronic bk.)
Reading books and prints as cultural objects
Reading books and prints as cultural objects
[electronic resource] /edited by Evanghelia Stead. - Cham :Springer International Publishing :2018. - xi, 317 p. :ill., digital ;24 cm. - New directions in book history. - New directions in book history..
'This volume is both original and useful. Whilst each of the essays in and of itself offers new research, the volume taken as a whole is a substantial contribution to book, image, and media history. It deliberately disrupts the idea of a unified field, demonstrating how both books and prints (sometimes combined within the same volume) act as agents between cultures.' -- Kate Flint, Provost Professor of Art History and English, University of Southern California, USA 'Rather than ask the old questions, 'what is a book' or 'what is a print', Stead and her collaborators want to know: what has been the use of this text-bearing object? What does it do? Applying those queries to all manner of media - made, found, used, and re-purposed - this new approach dissolves (and complicates) the distinction between the material and textual aspects of what we read, and encourages methodologies that cross the boundaries of discipline.' -- Leslie Howsam, Emerita Distinguished University Professor, University of Windsor, Canada This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, 'high' and 'low'. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.
ISBN: 9783319538327$q(electronic bk.)
Standard No.: 10.1007/978-3-319-53832-7doiSubjects--Topical Terms:
803652
Illustrated books
--History and criticism.--EuropeSubjects--Geographical Terms:
244548
Europe
LC Class. No.: Z1023 / .R344 2018
Dewey Class. No.: 016.0961
Reading books and prints as cultural objects
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'This volume is both original and useful. Whilst each of the essays in and of itself offers new research, the volume taken as a whole is a substantial contribution to book, image, and media history. It deliberately disrupts the idea of a unified field, demonstrating how both books and prints (sometimes combined within the same volume) act as agents between cultures.' -- Kate Flint, Provost Professor of Art History and English, University of Southern California, USA 'Rather than ask the old questions, 'what is a book' or 'what is a print', Stead and her collaborators want to know: what has been the use of this text-bearing object? What does it do? Applying those queries to all manner of media - made, found, used, and re-purposed - this new approach dissolves (and complicates) the distinction between the material and textual aspects of what we read, and encourages methodologies that cross the boundaries of discipline.' -- Leslie Howsam, Emerita Distinguished University Professor, University of Windsor, Canada This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, 'high' and 'low'. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.
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