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The sociolinguistics of hip-hop as c...

Rivers, Damian J.

The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The sociolinguistics of hip-hop as critical conscienceedited by Andrew S. Ross, Damian J. Rivers.
其他題名:	dissatisfaction and dissent /
其他作者:	Ross, Andrew S.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xiii, 271 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
標題:	Sociolinguistics.
電子資源:	http://dx.doi.org/10.1007/978-3-319-59244-2
ISBN:	9783319592442$q(electronic bk.)

The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /
The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /[electronic resource] :edited by Andrew S. Ross, Damian J. Rivers. - Cham :Springer International Publishing :2018. - xiii, 271 p. :ill., digital ;22 cm.

Chapter 1: The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-Hop Identity and Conflict -- Chapter 2: Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation -- Chapter 3: "77% of Aussies are Racist" - Intersections of Politics and Hip-Hop in Australia -- Chapter 4: Where is the Love? White Nationalist Discourse on Hip Hop -- Chapter 5: "Who's afraid of the Dark?": The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music -- Chapter 6: How the Financial Crisis Changed Hip Hop -- Chapter 7: Dissatisfaction and Dissent in the Transmodal Performances of Hip Hop Artists in Mongolia -- Chapter 8: Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap -- Chapter 9: The Death of Dissent and the Decline of Dissin': A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap.

This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.

ISBN: 9783319592442$q(electronic bk.)

Standard No.: 10.1007/978-3-319-59244-2doiSubjects--Topical Terms:

177881
Sociolinguistics.

LC Class. No.: P40 / .S546 2018

Dewey Class. No.: 306.44

The sociolinguistics of hip-hop as critical consciencedissatisfaction and dissent /
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505 0 $a Chapter 1: The Linguistic and Lyrical Development of 2Pac in Relation to Regional Hip-Hop Identity and Conflict -- Chapter 2: Dimensions of Dissatisfaction and Dissent in Contemporary German Rap: Social Marginalization, Politics, and Identity Formation -- Chapter 3: "77% of Aussies are Racist" - Intersections of Politics and Hip-Hop in Australia -- Chapter 4: Where is the Love? White Nationalist Discourse on Hip Hop -- Chapter 5: "Who's afraid of the Dark?": The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music -- Chapter 6: How the Financial Crisis Changed Hip Hop -- Chapter 7: Dissatisfaction and Dissent in the Transmodal Performances of Hip Hop Artists in Mongolia -- Chapter 8: Counter-Hegemonic Linguistic Ideologies and Practices in Brazilian Indigenous Rap -- Chapter 9: The Death of Dissent and the Decline of Dissin': A Diachronic Study of Race, Gender, and Genre in Mainstream American Rap.
520 $a This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.
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