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Public representations of immigrants...

Porsche, Yannik.

Public representations of immigrants in museumsexhibition and exposure in France and Germany /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Public representations of immigrants in museumsby Yannik Porsche.
其他題名:	exhibition and exposure in France and Germany /
作者:	Porsche, Yannik.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xi, 401 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Immigrants in art.
電子資源:	http://dx.doi.org/10.1007/978-3-319-66357-9
ISBN:	9783319663579$q(electronic bk.)

Public representations of immigrants in museumsexhibition and exposure in France and Germany /
Porsche, Yannik.

Public representations of immigrants in museumsexhibition and exposure in France and Germany /[electronic resource] :by Yannik Porsche. - Cham :Springer International Publishing :2018. - xi, 401 p. :ill., digital ;24 cm. - Postdisciplinary studies in discourse. - Postdisciplinary studies in discourse..

1: Introduction: Staging public representations in the Cite Nationale de l'Histoire de l'Immigration, the Deutsches Historisches Museum, and the Friedrichshain-Kreuzberg Museum -- 2: Museums, the public, and immigration -- 3: Microsociological Contextualisation Analysis -- 4: Epistemic production behind the museum scenes in France and Germany -- 5: Public interactions on the museum stages -- 6: Conclusion: Exhibiting immigrants-exposing the public.

This book offers an interactionist perspective on theories of public representation, knowledge and immigration in museum institutions. Examining how a Franco-German museum exhibition represents immigrants and exposes public stereotypes, the analysis follows the process of the production and reception of the exhibition as it travelled from Paris to Berlin. The author proposes a microsociological contextualisation analysis integrating discourse analysis and ethnography to compare formats of museum work, social interaction in the exhibition and mass media debates. Visitor reception of the different exhibition versions reveal the symbolic nature of interactions in museums, for example concerning conflicting political voices and accusations of censorship. Depending on the institutional context, interactions in the museums are geared towards securing immigrants a place in national collective memory, towards carrying out debate on integration, or providing opportunities for personal encounters and reflection beyond national categorisation. This book will appeal to students and researchers interested in work on the intersection of sociology, cultural studies, and discursive psychology, in methods of discourse analysis and ethnography; and to practitioners working in museums.

ISBN: 9783319663579$q(electronic bk.)

Standard No.: 10.1007/978-3-319-66357-9doiSubjects--Topical Terms:

807086
Immigrants in art.

LC Class. No.: N72.A56 / P67 2018

Dewey Class. No.: 704.03

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520 $a This book offers an interactionist perspective on theories of public representation, knowledge and immigration in museum institutions. Examining how a Franco-German museum exhibition represents immigrants and exposes public stereotypes, the analysis follows the process of the production and reception of the exhibition as it travelled from Paris to Berlin. The author proposes a microsociological contextualisation analysis integrating discourse analysis and ethnography to compare formats of museum work, social interaction in the exhibition and mass media debates. Visitor reception of the different exhibition versions reveal the symbolic nature of interactions in museums, for example concerning conflicting political voices and accusations of censorship. Depending on the institutional context, interactions in the museums are geared towards securing immigrants a place in national collective memory, towards carrying out debate on integration, or providing opportunities for personal encounters and reflection beyond national categorisation. This book will appeal to students and researchers interested in work on the intersection of sociology, cultural studies, and discursive psychology, in methods of discourse analysis and ethnography; and to practitioners working in museums.
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