國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Jimi Hendrix and the cultural politi...

Hendrix, Jimi

Jimi Hendrix and the cultural politics of popular music

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Jimi Hendrix and the cultural politics of popular musicby Aaron Lefkovitz.
作者:	Lefkovitz, Aaron.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	v, 158 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Rock musicSocial aspects20th century.United States
電子資源:	http://dx.doi.org/10.1007/978-3-319-77013-0
ISBN:	9783319770130$q(electronic bk.)

Jimi Hendrix and the cultural politics of popular music
Lefkovitz, Aaron.

Jimi Hendrix and the cultural politics of popular music[electronic resource] /by Aaron Lefkovitz. - Cham :Springer International Publishing :2018. - v, 158 p. :ill., digital ;24 cm.

1. Jimi Hendrix-Gypsy Eyes, Voodoo Child, and Countercultural Symbol -- 2. "I Don't Want to Be a Clown Anymore": Jimi Hendrix as Racialized Freak and Black-Transnational Icon -- 3. Jimi Hendrix and Black-Transnational Popular Music's Global Gender and Sexualized Histories -- 4. Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies -- 5. Conclusion.

This book, on Jimi Hendrix's life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix's relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant "Gypsy" and "Voodoo child" whose racialized "freak" visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix's transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music's global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix's place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.

ISBN: 9783319770130$q(electronic bk.)

Standard No.: 10.1007/978-3-319-77013-0doiSubjects--Personal Names:

809875
Hendrix, Jimi
--Criticism and interpretation.Subjects--Topical Terms:

809876
Rock music
--Social aspects--United States--20th century.

LC Class. No.: ML410.H476 / L445 2018

Dewey Class. No.: 787.87166092

Jimi Hendrix and the cultural politics of popular music
LDR:02480nmm a2200289 a 4500 001 533919
003 DE-He213
005 20181009144630.0
006 m d
007 cr nn 008maaau
008 181205s2018 gw s 0 eng d
020 $a 9783319770130$q(electronic bk.)
020 $a 9783319770123$q(paper)
024 7 $a 10.1007/978-3-319-77013-0 $2 doi
035 $a 978-3-319-77013-0
040 $a GP $c GP
041 0 $a eng
050 4 $a ML410.H476 $b L445 2018
082 0 4 $a 787.87166092 $2 23
090 $a ML410.H476 $b L493 2018
100 1 $a Lefkovitz, Aaron. $3 809874
245 1 0 $a Jimi Hendrix and the cultural politics of popular music $h [electronic resource] / $c by Aaron Lefkovitz.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Pivot, $c 2018.
300 $a v, 158 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Jimi Hendrix-Gypsy Eyes, Voodoo Child, and Countercultural Symbol -- 2. "I Don't Want to Be a Clown Anymore": Jimi Hendrix as Racialized Freak and Black-Transnational Icon -- 3. Jimi Hendrix and Black-Transnational Popular Music's Global Gender and Sexualized Histories -- 4. Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies -- 5. Conclusion.
520 $a This book, on Jimi Hendrix's life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix's relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant "Gypsy" and "Voodoo child" whose racialized "freak" visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix's transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music's global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix's place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.
600 1 0 $a Hendrix, Jimi $x Criticism and interpretation. $3 809875
650 0 $a Rock music $x Social aspects $z United States $y 20th century. $3 809876
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Popular Culture. $3 763075
650 2 4 $a Music. $3 227185
650 2 4 $a American Culture. $3 745008
650 2 4 $a Culture and Gender. $3 766686
650 2 4 $a Ethnicity Studies. $3 739974
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-77013-0
950 $a Literature, Cultural and Media Studies (Springer-41173)