國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Reappearing characters in nineteenth...

Paraschas, Sotirios.

Reappearing characters in nineteenth-century French literatureauthorship, originality, and intellectual property /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Reappearing characters in nineteenth-century French literatureby Sotirios Paraschas.
其他題名:	authorship, originality, and intellectual property /
作者:	Paraschas, Sotirios.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	ix, 288 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	French literatureHistory and criticism.19th century
電子資源:	http://dx.doi.org/10.1007/978-3-319-69290-6
ISBN:	9783319692906$q(electronic bk.)

Reappearing characters in nineteenth-century French literatureauthorship, originality, and intellectual property /
Paraschas, Sotirios.

Reappearing characters in nineteenth-century French literatureauthorship, originality, and intellectual property /[electronic resource] :by Sotirios Paraschas. - Cham :Springer International Publishing :2018. - ix, 288 p. :ill., digital ;24 cm. - Palgrave studies in modern European literature. - Palgrave studies in modern European literature..

This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honore de Balzac and Emile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be 'ideas' which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.

ISBN: 9783319692906$q(electronic bk.)

Standard No.: 10.1007/978-3-319-69290-6doiSubjects--Topical Terms:

198820
French literature
--History and criticism.--19th century

LC Class. No.: PQ281 / .P373 2018

Dewey Class. No.: 840.9007

Reappearing characters in nineteenth-century French literatureauthorship, originality, and intellectual property /
LDR:02223nmm a2200313 a 4500 001 537881
003 DE-He213
005 20181114101652.0
006 m d
007 cr nn 008maaau
008 190116s2018 gw s 0 eng d
020 $a 9783319692906$q(electronic bk.)
020 $a 9783319692890$q(paper)
024 7 $a 10.1007/978-3-319-69290-6 $2 doi
035 $a 978-3-319-69290-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PQ281 $b .P373 2018
072 7 $a DS $2 bicssc
072 7 $a LIT004130 $2 bisacsh
082 0 4 $a 840.9007 $2 23
090 $a PQ281 $b .P223 2018
100 1 $a Paraschas, Sotirios. $3 815065
245 1 0 $a Reappearing characters in nineteenth-century French literature $h [electronic resource] : $b authorship, originality, and intellectual property / $c by Sotirios Paraschas.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a ix, 288 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in modern European literature
520 $a This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honore de Balzac and Emile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be 'ideas' which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
650 0 $a French literature $y 19th century $x History and criticism. $3 198820
650 1 4 $a Literature. $3 179186
650 2 4 $a European Literature. $3 740243
650 2 4 $a Nineteenth-Century Literature. $3 740268
650 2 4 $a Fiction. $3 177613
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Palgrave studies in modern European literature. $3 643193
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-69290-6
950 $a Literature, Cultural and Media Studies (Springer-41173)