國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Memories of resistance and the Holoc...

Camino, Mercedes.

Memories of resistance and the Holocaust on film

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Memories of resistance and the Holocaust on filmby Mercedes Camino.
作者:	Camino, Mercedes.
出版者:	London :Palgrave Macmillan UK :2018.
面頁冊數:	x, 267 p. :digital ;24 cm.
Contained By:	Springer eBooks
標題:	Holocaust, Jewish (1939-1945), in motion pictures.
電子資源:	http://dx.doi.org/10.1057/978-1-137-49969-1
ISBN:	9781137499691$q(electronic bk.)

Memories of resistance and the Holocaust on film
Camino, Mercedes.

Memories of resistance and the Holocaust on film[electronic resource] /by Mercedes Camino. - London :Palgrave Macmillan UK :2018. - x, 267 p. :digital ;24 cm.

1. Introduction -- 2.The Civilian Resister (1942-69) -- 3. The Partisan (1943-74) -- 4. The Collaborator (1969-74) -- 5. Holocaust Testimony: Survivors, Ghosts and Revenants (1947-2002) -- 6. Righteous Gentiles (1987-2011) -- 7. The Jewish Resister (1987-2015) -- 8. Conclusion: Chronotopes and Grey Zones.

This book investigates cinematic representations of the murder of European Jews and civilian opposition to Nazi occupation from the war up until the twenty-first century. The study exposes a chronology of the conflict's memorialization whose geo-political alignments are demarcated by vectors of time and space--or 'chronotopes', using Mikhail Bakhtin's term. Camino shows such chronotopes to be first defined by the main allies; the USA, USSR and UK; and then subsequently expanding from the geographical and political centres of the occupation; France, the USSR and Poland. Films from Western and Eastern Europe and the USA are treated as primary and secondary sources of the conflict. These sources contribute to a sentient or emotional history that privileges affect and construct what Michel Foucault labels biopolitics. These cinematic narratives, which are often based on memoirs of resistance fighters like Joseph Kessel or Holocaust survivors such as Primo Levi and Wanda Jakubowska, evoke the past in what Marianne Hirsch has described as 'post-memory'.

ISBN: 9781137499691$q(electronic bk.)

Standard No.: 10.1057/978-1-137-49969-1doiSubjects--Topical Terms:

565234
Holocaust, Jewish (1939-1945), in motion pictures.

LC Class. No.: PN1995.9.H53 / C365 2018

Dewey Class. No.: 791.43658

Memories of resistance and the Holocaust on film
LDR:02328nmm a2200313 a 4500 001 540716
003 DE-He213
005 20190109140157.0
006 m d
007 cr nn 008maaau
008 190308s2018 enk s 0 eng d
020 $a 9781137499691$q(electronic bk.)
020 $a 9781137499684$q(paper)
024 7 $a 10.1057/978-1-137-49969-1 $2 doi
035 $a 978-1-137-49969-1
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.H53 $b C365 2018
072 7 $a APF $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.43658 $2 23
090 $a PN1995.9.H53 $b C183 2018
100 1 $a Camino, Mercedes. $3 819124
245 1 0 $a Memories of resistance and the Holocaust on film $h [electronic resource] / $c by Mercedes Camino.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a x, 267 p. : $b digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2.The Civilian Resister (1942-69) -- 3. The Partisan (1943-74) -- 4. The Collaborator (1969-74) -- 5. Holocaust Testimony: Survivors, Ghosts and Revenants (1947-2002) -- 6. Righteous Gentiles (1987-2011) -- 7. The Jewish Resister (1987-2015) -- 8. Conclusion: Chronotopes and Grey Zones.
520 $a This book investigates cinematic representations of the murder of European Jews and civilian opposition to Nazi occupation from the war up until the twenty-first century. The study exposes a chronology of the conflict's memorialization whose geo-political alignments are demarcated by vectors of time and space--or 'chronotopes', using Mikhail Bakhtin's term. Camino shows such chronotopes to be first defined by the main allies; the USA, USSR and UK; and then subsequently expanding from the geographical and political centres of the occupation; France, the USSR and Poland. Films from Western and Eastern Europe and the USA are treated as primary and secondary sources of the conflict. These sources contribute to a sentient or emotional history that privileges affect and construct what Michel Foucault labels biopolitics. These cinematic narratives, which are often based on memoirs of resistance fighters like Joseph Kessel or Holocaust survivors such as Primo Levi and Wanda Jakubowska, evoke the past in what Marianne Hirsch has described as 'post-memory'.
650 0 $a Holocaust, Jewish (1939-1945), in motion pictures. $3 565234
650 0 $a Underground movements in motion pictures. $3 819125
650 0 $a World War, 1939-1945 $x Motion pictures and the war. $3 325395
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a European Cinema. $3 750569
650 2 4 $a History of World War II and the Holocaust. $3 739867
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-49969-1
950 $a Literature, Cultural and Media Studies (Springer-41173)