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Women in medicine in nineteenth-cent...
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Crosby, Sara L.
Women in medicine in nineteenth-century American literaturefrom poisoners to doctors, Harriet Beecher Stowe to Theda Bara /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Women in medicine in nineteenth-century American literatureby Sara L. Crosby.
其他題名:
from poisoners to doctors, Harriet Beecher Stowe to Theda Bara /
作者:
Crosby, Sara L.
出版者:
Cham :Springer International Publishing :2018.
面頁冊數:
xvii, 257 p. :ill., digital ;23 cm.
Contained By:
Springer eBooks
標題:
American literatureHistory and criticism.19th century
電子資源:
https://doi.org/10.1007/978-3-319-96463-8
ISBN:
9783319964638$q(electronic bk.)
Women in medicine in nineteenth-century American literaturefrom poisoners to doctors, Harriet Beecher Stowe to Theda Bara /
Crosby, Sara L.
Women in medicine in nineteenth-century American literature
from poisoners to doctors, Harriet Beecher Stowe to Theda Bara /[electronic resource] :by Sara L. Crosby. - Cham :Springer International Publishing :2018. - xvii, 257 p. :ill., digital ;23 cm. - Palgrave studies in literature, science and medicine. - Palgrave studies in literature, science and medicine..
Chapter 1. Introduction. Making the Medicinal Poisoner -- Chapter 2. A Quarrel of Poisons: Harriet Beecher Stowe's Homeopathic Poisoner -- Chapter 3. Playing Poison: Mary Webb's Antidote to the Tom Shows -- Chapter 4. With Friends Like These: E. D. E. N. Southworth and Dr. Oliver Wendell Holmes's Pathological Poisoner -- Chapter 5. The Lady Doctor and the Vamp: How Louisa May Alcott, Theda Bara, and Thomas Dixon, Jr., Killed the Poisonous Woman -- Chapter 6. Conclusion and Coda. A Presidential Election, My Cousin Rachel, and the Lingering Effects of the Medicinal Poisoner.
This book investigates how popular American literature and film transformed the poisonous woman from a misogynist figure used to exclude women and minorities from political power into a feminist hero used to justify the expansion of their public roles. Sara Crosby locates the origins of this metamorphosis in Uncle Tom's Cabin where Harriet Beecher Stowe applied an alternative medical discourse to revise the poisonous Cassy into a doctor. The newly "medicalized" poisoner then served as a focal point for two competing narratives that envisioned the American nation as a multi-racial, egalitarian democracy or as a white and male supremacist ethno-state. Crosby tracks this battle from the heroic healers created by Stowe, Mary Webb, Oscar Micheaux, and Louisia May Alcott to the even more monstrous poisoners or "vampires" imagined by E. D. E. N. Southworth, Oliver Wendell Holmes, Theda Bara, Thomas Dixon, Jr., and D. W. Griffith.
ISBN: 9783319964638$q(electronic bk.)
Standard No.: 10.1007/978-3-319-96463-8doiSubjects--Topical Terms:
176106
American literature
--History and criticism.--19th century
LC Class. No.: PS173.W6 / C76 2018
Dewey Class. No.: 810.93522
Women in medicine in nineteenth-century American literaturefrom poisoners to doctors, Harriet Beecher Stowe to Theda Bara /
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Chapter 1. Introduction. Making the Medicinal Poisoner -- Chapter 2. A Quarrel of Poisons: Harriet Beecher Stowe's Homeopathic Poisoner -- Chapter 3. Playing Poison: Mary Webb's Antidote to the Tom Shows -- Chapter 4. With Friends Like These: E. D. E. N. Southworth and Dr. Oliver Wendell Holmes's Pathological Poisoner -- Chapter 5. The Lady Doctor and the Vamp: How Louisa May Alcott, Theda Bara, and Thomas Dixon, Jr., Killed the Poisonous Woman -- Chapter 6. Conclusion and Coda. A Presidential Election, My Cousin Rachel, and the Lingering Effects of the Medicinal Poisoner.
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This book investigates how popular American literature and film transformed the poisonous woman from a misogynist figure used to exclude women and minorities from political power into a feminist hero used to justify the expansion of their public roles. Sara Crosby locates the origins of this metamorphosis in Uncle Tom's Cabin where Harriet Beecher Stowe applied an alternative medical discourse to revise the poisonous Cassy into a doctor. The newly "medicalized" poisoner then served as a focal point for two competing narratives that envisioned the American nation as a multi-racial, egalitarian democracy or as a white and male supremacist ethno-state. Crosby tracks this battle from the heroic healers created by Stowe, Mary Webb, Oscar Micheaux, and Louisia May Alcott to the even more monstrous poisoners or "vampires" imagined by E. D. E. N. Southworth, Oliver Wendell Holmes, Theda Bara, Thomas Dixon, Jr., and D. W. Griffith.
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