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Philosophy in Stan Brakhage's Dog st...

Baracco, Alberto.

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Philosophy in Stan Brakhage's Dog star manby Alberto Baracco.
其他題名:	world, metaphor, interpretation /
作者:	Baracco, Alberto.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xviii, 144 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Experimental filmsHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-030-12426-7
ISBN:	9783030124267$q(electronic bk.)

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /
Baracco, Alberto.

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /[electronic resource] :by Alberto Baracco. - Cham :Springer International Publishing :2019. - xviii, 144 p. :ill., digital ;24 cm.

Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

ISBN: 9783030124267$q(electronic bk.)

Standard No.: 10.1007/978-3-030-12426-7doiSubjects--Personal Names:

835589
Brakhage, Stan.
Dog star man.Subjects--Topical Terms:

222056
Experimental films
--History and criticism.

LC Class. No.: PN1995.9.E96 / B37 2019

Dewey Class. No.: 791.436

Philosophy in Stan Brakhage's Dog star manworld, metaphor, interpretation /
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505 0 $a Chapter 1: Introduction -- Chapter 2: DSM and Philosophy -- Chapter 3: Understanding DSM's Film World -- Chapter 4: Explaining DSM's Film World -- Chapter 5: Critical Understanding of DSM's Film World -- Chapter 6: Conclusion.
520 $a This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage's Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
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