語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Eastern European popular music in a ...
~
Gyori, Zsolt.
Eastern European popular music in a transnational contextbeyond the borders /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Eastern European popular music in a transnational contextedited by Ewa Mazierska, Zsolt Gyori.
其他題名:
beyond the borders /
其他作者:
Mazierska, Ewa.
出版者:
Cham :Springer International Publishing :2019.
面頁冊數:
xii, 243 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Popular musicHistory and criticism.Europe, Eastern
電子資源:
https://doi.org/10.1007/978-3-030-17034-9
ISBN:
9783030170349$q(electronic bk.)
Eastern European popular music in a transnational contextbeyond the borders /
Eastern European popular music in a transnational context
beyond the borders /[electronic resource] :edited by Ewa Mazierska, Zsolt Gyori. - Cham :Springer International Publishing :2019. - xii, 243 p. :ill., digital ;24 cm. - Palgrave European film and media studies. - Palgrave European film and media studies..
1. Introduction: Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Gyori -- Part 1: Bringing Foreign Music to the European East -- 2. Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik -- 3. Quiet Fanaticism: The Phenomenon of Leonard Cohen's Popularity in Poland, Ewa Mazierska and Xawery Stanczyk -- 4. Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Stanczyk -- 5. Eastern Europe as Punk Frontier, Aimar Ventsel -- Part 2: Eastern European Music Crossing the Borders -- 6. Success, Failure, Splendid Isolation: Czesław Niemen's Career in Europe, Mariusz Gradowski -- 7. Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska -- 8. Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamanic and Manuela Unverdorben -- Part 3: Liminal Spaces of Eastern European Music Festivals -- 9. The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic -- 10. Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Gyori -- 11. A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu.
This volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, Eastern European Popular Music in a Transnational Context expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregovic, Czesław Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews.
ISBN: 9783030170349$q(electronic bk.)
Standard No.: 10.1007/978-3-030-17034-9doiSubjects--Topical Terms:
764380
Popular music
--History and criticism.--Europe, Eastern
LC Class. No.: ML3488 / .E278 2019
Dewey Class. No.: 781.630947
Eastern European popular music in a transnational contextbeyond the borders /
LDR
:03419nmm a2200337 a 4500
001
563895
003
DE-He213
005
20191205144133.0
006
m d
007
cr nn 008maaau
008
200311s2019 gw s 0 eng d
020
$a
9783030170349$q(electronic bk.)
020
$a
9783030170332$q(paper)
024
7
$a
10.1007/978-3-030-17034-9
$2
doi
035
$a
978-3-030-17034-9
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
ML3488
$b
.E278 2019
072
7
$a
AV
$2
bicssc
072
7
$a
MUS000000
$2
bisacsh
072
7
$a
AV
$2
thema
082
0 4
$a
781.630947
$2
23
090
$a
ML3488
$b
.E13 2019
245
0 0
$a
Eastern European popular music in a transnational context
$h
[electronic resource] :
$b
beyond the borders /
$c
edited by Ewa Mazierska, Zsolt Gyori.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2019.
300
$a
xii, 243 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Palgrave European film and media studies
505
0
$a
1. Introduction: Crossing National and Regional Borders in Eastern European Popular Music, Ewa Mazierska and Zsolt Gyori -- Part 1: Bringing Foreign Music to the European East -- 2. Loopholes in the Iron Curtain: Obtaining Western Music in State Socialist Czechoslovakia in the 1970s and 1980s, Adam Havlik -- 3. Quiet Fanaticism: The Phenomenon of Leonard Cohen's Popularity in Poland, Ewa Mazierska and Xawery Stanczyk -- 4. Authenticity and Orientalism: Cultural Appropriations in Polish Alternative Music Scene in the 1970s and 1980s, Xawery Stanczyk -- 5. Eastern Europe as Punk Frontier, Aimar Ventsel -- Part 2: Eastern European Music Crossing the Borders -- 6. Success, Failure, Splendid Isolation: Czesław Niemen's Career in Europe, Mariusz Gradowski -- 7. Yugo-Polish: The Uses of Yugoslav Music by Polish Musicians, Ewa Mazierska -- 8. Balkan High, Balkan Low: Music Production between Hybridity and Class Struggle, Slobodan Karamanic and Manuela Unverdorben -- Part 3: Liminal Spaces of Eastern European Music Festivals -- 9. The Intervision Song Contest: A Commercial and Pan-European Alternative to the Eurovision Song Contest, Dean Vuletic -- 10. Between Utopia and the Marketplace: The Case of the Sziget Festival, Zsolt Gyori -- 11. A Tale of Two (Or #EverMore) Festivals: Electronic Music in a Transylvanian Town, Ruxandra Trandafoiu.
520
$a
This volume examines the transnational character of popular music since the Cold War era to the present. Bringing together the cross-disciplinary research of native scholars, Eastern European Popular Music in a Transnational Context expands our understanding of the movement of physical music, musicians and genres through the Iron Curtain and within the region of Eastern Europe. With case studies ranging from Goran Bregovic, Czesław Niemen, the reception of Leonard Cohen in Poland, the Estonian punk scene to the Intervision Song Contest, the book discusses how the production and reception of popular music in the region has always been heavily influenced by international trends and how varied strategies allowed performers and fans to acquire cosmopolitan identities. Cross-disciplinary in nature, the investigations are informed by political, social and cultural history, reception studies, sociology and marketing and are largely based on archival research and interviews.
650
0
$a
Popular music
$z
Europe, Eastern
$x
History and criticism.
$3
764380
650
1 4
$a
Music.
$3
227185
650
2 4
$a
European Culture.
$3
744829
650
2 4
$a
Popular Culture.
$3
763075
700
1
$a
Mazierska, Ewa.
$3
641945
700
1
$a
Gyori, Zsolt.
$3
849637
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
830
0
$a
Palgrave European film and media studies.
$3
753593
856
4 0
$u
https://doi.org/10.1007/978-3-030-17034-9
950
$a
Literature, Cultural and Media Studies (Springer-41173)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000175199
電子館藏
1圖書
電子書
EB ML3488 .E13 2019 2019
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
https://doi.org/10.1007/978-3-030-17034-9
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入