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The myth of colorblindnessrace and e...

Nilsen, Sarah.

The myth of colorblindnessrace and ethnicity in American cinema /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The myth of colorblindnessedited by Sarah E. Turner, Sarah Nilsen.
其他題名:	race and ethnicity in American cinema /
其他作者:	Turner, Sarah E.
出版者:	Cham :Springer International Publishing :2019.
面頁冊數:	xii, 304 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Minorities in motion pictures.
電子資源:	https://doi.org/10.1007/978-3-030-17447-7
ISBN:	9783030174477$q(electronic bk.)

The myth of colorblindnessrace and ethnicity in American cinema /
The myth of colorblindnessrace and ethnicity in American cinema /[electronic resource] :edited by Sarah E. Turner, Sarah Nilsen. - Cham :Springer International Publishing :2019. - xii, 304 p. :ill., digital ;24 cm.

Introduction -- Part I: Colorblindness -- 2. Colorblindness: The Lens that Distorts -- 3. Why Hollywood Remains "SoWhite" and a Note on How to Change It -- PART II: Colorblind Racism in Hollywood Films -- 4. Living in Zootopia: Tracking the Neoliberal Subject in a Colorblind World -- 5. The Paradox of Post-racialism: Black Hollywood's Voice in Post-Racial Discourse -- 6. Colorblind Racism, The Trump Effect, and The Blind Side -- 7. Will Smith: A Global Brand of Blackness -- 8. Tricks of the (Colorblind) Trade: Hollywood's Preservation of White Supremacy in the Age of Obama -- PART III: Intersections Between Race, Ethinicity, and Gender and Colorblind Racism in Hollywood -- 9. Zombies, Muslims, and Politics: Racism without Race in Contemporary America -- 10. Latinas/os in Hollywood: Contemporary Representations in Black and White -- 11. Tonto and The Lone Ranger: Nostalgic Kitsch or Post-Racial Backlash? -- 12. Cyborg Woman: Ex Machina and Racial Otherness -- 13. The End of the World, Hollywood, and the Endurance of Military Violence: Elysium and World War Z.

This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.

ISBN: 9783030174477$q(electronic bk.)

Standard No.: 10.1007/978-3-030-17447-7doiSubjects--Topical Terms:

295395
Minorities in motion pictures.

LC Class. No.: PN1995.9.M56 / M984 2019

Dewey Class. No.: 791.436520693

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505 0 $a Introduction -- Part I: Colorblindness -- 2. Colorblindness: The Lens that Distorts -- 3. Why Hollywood Remains "SoWhite" and a Note on How to Change It -- PART II: Colorblind Racism in Hollywood Films -- 4. Living in Zootopia: Tracking the Neoliberal Subject in a Colorblind World -- 5. The Paradox of Post-racialism: Black Hollywood's Voice in Post-Racial Discourse -- 6. Colorblind Racism, The Trump Effect, and The Blind Side -- 7. Will Smith: A Global Brand of Blackness -- 8. Tricks of the (Colorblind) Trade: Hollywood's Preservation of White Supremacy in the Age of Obama -- PART III: Intersections Between Race, Ethinicity, and Gender and Colorblind Racism in Hollywood -- 9. Zombies, Muslims, and Politics: Racism without Race in Contemporary America -- 10. Latinas/os in Hollywood: Contemporary Representations in Black and White -- 11. Tonto and The Lone Ranger: Nostalgic Kitsch or Post-Racial Backlash? -- 12. Cyborg Woman: Ex Machina and Racial Otherness -- 13. The End of the World, Hollywood, and the Endurance of Military Violence: Elysium and World War Z.
520 $a This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.
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