國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Patricia Highsmith on screen

Highsmith, Patricia, (1921-1995)

Patricia Highsmith on screen

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Patricia Highsmith on screenedited by Wieland Schwanebeck, Douglas McFarland.
其他作者:	Schwanebeck, Wieland.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xviii, 294 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Detective and mystery filmsHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-319-96050-0
ISBN:	9783319960500$q(electronic bk.)

Patricia Highsmith on screen
Patricia Highsmith on screen[electronic resource] /edited by Wieland Schwanebeck, Douglas McFarland. - Cham :Springer International Publishing :2018. - xviii, 294 p. :ill., digital ;24 cm. - Palgrave studies in adaptation and visual culture. - Palgrave studies in adaptation and visual culture..

1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. "I Meet a Lot of Guys--But Not Many Like You": Strangers and Types in Highsmith's and Hitchcock's Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezak -- 5. Tom Ripley's Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. "Easy Living": From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol's The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders' The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendorfer's Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geisendorfer -- 17. "An interesting lack of sentimentality", Hossein Amini -- 18. "Highsmith was the queen of guilt", Phyllis Nagy.

This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith's novels, which have been a popular source for adaptation since Alfred Hitchcock's Strangers on a Train (1952) The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.

ISBN: 9783319960500$q(electronic bk.)

Standard No.: 10.1007/978-3-319-96050-0doiSubjects--Personal Names:

613600
Highsmith, Patricia,
1921-1995--Adaptations.Subjects--Topical Terms:

612308
Detective and mystery films
--History and criticism.

LC Class. No.: PN1995.9.D4 / P38 2018

Dewey Class. No.: 791.436556

Patricia Highsmith on screen
LDR:03605nmm a2200337 a 4500 001 568703
003 DE-He213
005 20191022102323.0
006 m d
007 cr nn 008maaau
008 200707s2018 sz s 0 eng d
020 $a 9783319960500$q(electronic bk.)
020 $a 9783319960494$q(paper)
024 7 $a 10.1007/978-3-319-96050-0 $2 doi
035 $a 978-3-319-96050-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.D4 $b P38 2018
072 7 $a AP $2 bicssc
072 7 $a PER000000 $2 bisacsh
072 7 $a AT $2 thema
082 0 4 $a 791.436556 $2 23
090 $a PN1995.9.D4 $b P314 2018
245 0 0 $a Patricia Highsmith on screen $h [electronic resource] / $c edited by Wieland Schwanebeck, Douglas McFarland.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xviii, 294 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in adaptation and visual culture
505 0 $a 1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. "I Meet a Lot of Guys--But Not Many Like You": Strangers and Types in Highsmith's and Hitchcock's Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezak -- 5. Tom Ripley's Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. "Easy Living": From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol's The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders' The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendorfer's Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geisendorfer -- 17. "An interesting lack of sentimentality", Hossein Amini -- 18. "Highsmith was the queen of guilt", Phyllis Nagy.
520 $a This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith's novels, which have been a popular source for adaptation since Alfred Hitchcock's Strangers on a Train (1952) The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
600 1 0 $a Highsmith, Patricia, $d 1921-1995 $v Adaptations. $3 613600
650 0 $a Detective and mystery films $x History and criticism. $3 612308
650 1 4 $a Adaptation Studies. $3 826521
650 2 4 $a North American Literature. $3 740988
700 1 $a Schwanebeck, Wieland. $3 794850
700 1 $a McFarland, Douglas. $3 854619
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Palgrave studies in adaptation and visual culture. $3 764422
856 4 0 $u https://doi.org/10.1007/978-3-319-96050-0
950 $a Literature, Cultural and Media Studies (Springer-41173)