語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Digital carnivalesquepower discourse...
~
Kan, Hoi-Yi Katy.
Digital carnivalesquepower discourse and counter narratives in Singapore social media /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Digital carnivalesqueby Hoi-Yi Katy Kan.
其他題名:
power discourse and counter narratives in Singapore social media /
作者:
Kan, Hoi-Yi Katy.
出版者:
Singapore :Springer Singapore :2020.
面頁冊數:
xv, 167 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Online social networksSingapore.
電子資源:
https://doi.org/10.1007/978-981-15-2051-8
ISBN:
9789811520518$q(electronic bk.)
Digital carnivalesquepower discourse and counter narratives in Singapore social media /
Kan, Hoi-Yi Katy.
Digital carnivalesque
power discourse and counter narratives in Singapore social media /[electronic resource] :by Hoi-Yi Katy Kan. - Singapore :Springer Singapore :2020. - xv, 167 p. :ill., digital ;24 cm. - Cultural studies and transdisciplinarity in education,102345-7708 ;. - Cultural studies and transdisciplinarity in education ;v.1..
1. Power as Performance in the 21st Century Digital Playground -- 2. Power -- 3. Digital Times -- 4. Politics and Social Media in Singapore -- 5. Carnivalesque as Theoretical Framework -- 6. mrbrown Show: who say we Smelly? -- 7. Anton Casey's mistake (Singlish 55) -- 8. Power as Constantly Reconstituting & the Prospects of Carnivalesque Politics.
This book challenges the framing of comedic acts as apolitical and it adopts a multimodal critical discourse approach to interrogate the performance of comedy as a form of power. It proposes using Bakhtin's carnivalesque as the analytic tool to distil for readers key differences between humour as banal and humour as critical (and political) in today's social media. Drawing from critical theory and cultural studies, this book takes an interdisciplinary approach in formulating a contemporary view of power that reflects social realities not only in the digital economy but also in a world that is increasingly authoritarian. With the proposition of newer theoretical lenses in this book, scholars and social scientists can then find a way to shift the conversation to uncover the evolving voices of (existing and newer) power holders in the shared digital space; and to view current social realities as a continual project in unpacking and understanding the adaptive ways of the human spirit. This is an important study of the conduct of power relations in Singapore's social media discourse. Katy Kan weaves together major works by socio-political thinkers to make sense of the way digital discourses in Singapore both enable and challenge social, cultural and political narratives - and considers how this is sagaciously managed by the government. Terence Lee, Associate Professor in Communication, Murdoch University Theorizing the notion of power in the ever changing and shifting dynamics of the digital realm is always challenging. Katy Kan's processing of critical theory however presents a powerful lens to unpack power relations in one of the most digitally connected countries in the world - Singapore. Catherine Gomes, Associate Professor, School of Media and Communication, RMIT University.
ISBN: 9789811520518$q(electronic bk.)
Standard No.: 10.1007/978-981-15-2051-8doiSubjects--Topical Terms:
860990
Online social networks
--Singapore.
LC Class. No.: HM742 / .K364 2020
Dewey Class. No.: 302.231
Digital carnivalesquepower discourse and counter narratives in Singapore social media /
LDR
:03264nmm a2200337 a 4500
001
573647
003
DE-He213
005
20200624135553.0
006
m d
007
cr nn 008maaau
008
200928s2020 si s 0 eng d
020
$a
9789811520518$q(electronic bk.)
020
$a
9789811520501$q(paper)
024
7
$a
10.1007/978-981-15-2051-8
$2
doi
035
$a
978-981-15-2051-8
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
HM742
$b
.K364 2020
072
7
$a
JFD
$2
bicssc
072
7
$a
SOC052000
$2
bisacsh
072
7
$a
JBCT1
$2
thema
082
0 4
$a
302.231
$2
23
090
$a
HM742
$b
.K16 2020
100
1
$a
Kan, Hoi-Yi Katy.
$3
860989
245
1 0
$a
Digital carnivalesque
$h
[electronic resource] :
$b
power discourse and counter narratives in Singapore social media /
$c
by Hoi-Yi Katy Kan.
260
$a
Singapore :
$b
Springer Singapore :
$b
Imprint: Springer,
$c
2020.
300
$a
xv, 167 p. :
$b
ill., digital ;
$c
24 cm.
490
1
$a
Cultural studies and transdisciplinarity in education,
$x
2345-7708 ;
$v
10
505
0
$a
1. Power as Performance in the 21st Century Digital Playground -- 2. Power -- 3. Digital Times -- 4. Politics and Social Media in Singapore -- 5. Carnivalesque as Theoretical Framework -- 6. mrbrown Show: who say we Smelly? -- 7. Anton Casey's mistake (Singlish 55) -- 8. Power as Constantly Reconstituting & the Prospects of Carnivalesque Politics.
520
$a
This book challenges the framing of comedic acts as apolitical and it adopts a multimodal critical discourse approach to interrogate the performance of comedy as a form of power. It proposes using Bakhtin's carnivalesque as the analytic tool to distil for readers key differences between humour as banal and humour as critical (and political) in today's social media. Drawing from critical theory and cultural studies, this book takes an interdisciplinary approach in formulating a contemporary view of power that reflects social realities not only in the digital economy but also in a world that is increasingly authoritarian. With the proposition of newer theoretical lenses in this book, scholars and social scientists can then find a way to shift the conversation to uncover the evolving voices of (existing and newer) power holders in the shared digital space; and to view current social realities as a continual project in unpacking and understanding the adaptive ways of the human spirit. This is an important study of the conduct of power relations in Singapore's social media discourse. Katy Kan weaves together major works by socio-political thinkers to make sense of the way digital discourses in Singapore both enable and challenge social, cultural and political narratives - and considers how this is sagaciously managed by the government. Terence Lee, Associate Professor in Communication, Murdoch University Theorizing the notion of power in the ever changing and shifting dynamics of the digital realm is always challenging. Katy Kan's processing of critical theory however presents a powerful lens to unpack power relations in one of the most digitally connected countries in the world - Singapore. Catherine Gomes, Associate Professor, School of Media and Communication, RMIT University.
650
0
$a
Online social networks
$z
Singapore.
$3
860990
650
1 4
$a
Digital/New Media.
$3
764448
650
2 4
$a
Communication Studies.
$3
522484
650
2 4
$a
Political Communication.
$3
676204
650
2 4
$a
Cultural Studies.
$3
561258
650
2 4
$a
Sociology of Education.
$3
338784
650
2 4
$a
Semiotics.
$3
175605
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
830
0
$a
Cultural studies and transdisciplinarity in education ;
$v
v.1.
$3
684027
856
4 0
$u
https://doi.org/10.1007/978-981-15-2051-8
950
$a
Literature, Cultural and Media Studies (Springer-41173)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000180007
電子館藏
1圖書
電子書
EB HM742 .K16 2020 2020
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
https://doi.org/10.1007/978-981-15-2051-8
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入