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Masculine domination in Henry James'...

James, Henry, (1843-1916)

Masculine domination in Henry James's novelsthe art of concealment /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Masculine domination in Henry James's novelsby Wibke Schniedermann.
其他題名:	the art of concealment /
作者:	Schniedermann, Wibke.
出版者:	Cham :Springer International Publishing :2020.
面頁冊數:	ix, 177 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Fiction.
電子資源:	https://doi.org/10.1007/978-3-030-44109-8
ISBN:	9783030441098$q(electronic bk.)

Masculine domination in Henry James's novelsthe art of concealment /
Schniedermann, Wibke.

Masculine domination in Henry James's novelsthe art of concealment /[electronic resource] :by Wibke Schniedermann. - Cham :Springer International Publishing :2020. - ix, 177 p. :ill., digital ;24 cm.

1. Introduction -- 2. Symbolic Punishment and Social Death in Daisy Miller: A Study -- 3. The Presence of Absence in The Portrait of a Lady -- 4. The Grip of Inheritance: Capital Resources in The Wings of the Dove -- 5. How to Survive One's Inheritance in The Golden Bowl -- 6. Epilogue: James's "Culture Vultures".

'In Wibke Schniedermann's book relational sociology meets narrative criticism to help probe gender-based inequality in some of Henry James's major novels. In her outline of the theoretical underpinnings and in her meticulous analyses ranging from James's first popular success in Daisy Miller to his last finished novel in The Golden Bowl, Schniedermann offers an exciting new way of reading symbolic economy in James's fiction at the interface of the social, the psychological and the literary.' - Miroslawa Buchholtz, Professor of English, Nicolaus Copernicus University, Poland This book proposes a new interdisciplinary approach to the gendered power relations in James's novels. Reading James's narrative form through the lens of relational sociology, specifically Pierre Bourdieu's concept of symbolic domination, reconciles some of the most fiercely disputed positions in James studies of the past decades. The close readings focus on three novels, The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl, providing a systematic relational analysis into the specifically Jamesian method of narrating the socio-psychological, embodied responses to masculine power and oppression. James persistently narrates his characters as social agents whose perception, affects, and bodily practices are products of the social structures that they in turn continue to shape and reproduce. The chapters trace a development throughout James's career that reflects a growing sensitivity for the concealment and attendant misrecognition of gendered domination.

ISBN: 9783030441098$q(electronic bk.)

Standard No.: 10.1007/978-3-030-44109-8doiSubjects--Personal Names:

435513
James, Henry,
1843-1916--Journeys--Italy.Subjects--Topical Terms:

177613
Fiction.

LC Class. No.: PS2124 / .S365 2020

Dewey Class. No.: 813.4

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520 $a 'In Wibke Schniedermann's book relational sociology meets narrative criticism to help probe gender-based inequality in some of Henry James's major novels. In her outline of the theoretical underpinnings and in her meticulous analyses ranging from James's first popular success in Daisy Miller to his last finished novel in The Golden Bowl, Schniedermann offers an exciting new way of reading symbolic economy in James's fiction at the interface of the social, the psychological and the literary.' - Miroslawa Buchholtz, Professor of English, Nicolaus Copernicus University, Poland This book proposes a new interdisciplinary approach to the gendered power relations in James's novels. Reading James's narrative form through the lens of relational sociology, specifically Pierre Bourdieu's concept of symbolic domination, reconciles some of the most fiercely disputed positions in James studies of the past decades. The close readings focus on three novels, The Portrait of a Lady, The Wings of the Dove, and The Golden Bowl, providing a systematic relational analysis into the specifically Jamesian method of narrating the socio-psychological, embodied responses to masculine power and oppression. James persistently narrates his characters as social agents whose perception, affects, and bodily practices are products of the social structures that they in turn continue to shape and reproduce. The chapters trace a development throughout James's career that reflects a growing sensitivity for the concealment and attendant misrecognition of gendered domination.
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