國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Digital theatrethe making and meanin...

Masura, Nadja.

Digital theatrethe making and meaning of live mediated performance, US & UK 1990-2020 /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Digital theatreby Nadja Masura.
其他題名:	the making and meaning of live mediated performance, US & UK 1990-2020 /
作者:	Masura, Nadja.
出版者:	Cham :Springer International Publishing :2020.
面頁冊數:	xvi, 295 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Technology and the arts.
電子資源:	https://doi.org/10.1007/978-3-030-55628-0
ISBN:	9783030556280$q(electronic bk.)

Digital theatrethe making and meaning of live mediated performance, US & UK 1990-2020 /
Masura, Nadja.

Digital theatrethe making and meaning of live mediated performance, US & UK 1990-2020 /[electronic resource] :by Nadja Masura. - Cham :Springer International Publishing :2020. - xvi, 295 p. :ill., digital ;24 cm. - Palgrave studies in performance and technology. - Palgrave studies in performance and technology..

1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World.

Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.

ISBN: 9783030556280$q(electronic bk.)

Standard No.: 10.1007/978-3-030-55628-0doiSubjects--Topical Terms:

308108
Technology and the arts.

LC Class. No.: NX180.T4

Dewey Class. No.: 700.105

Digital theatrethe making and meaning of live mediated performance, US & UK 1990-2020 /
LDR:02453nmm a2200337 a 4500 001 588957
003 DE-He213
005 20210203170259.0
006 m d
007 cr nn 008maaau
008 210525s2020 sz s 0 eng d
020 $a 9783030556280$q(electronic bk.)
020 $a 9783030556273$q(paper)
024 7 $a 10.1007/978-3-030-55628-0 $2 doi
035 $a 978-3-030-55628-0
040 $a GP $c GP
041 0 $a eng
050 4 $a NX180.T4
072 7 $a ANH $2 bicssc
072 7 $a PER011040 $2 bisacsh
072 7 $a ATDH $2 thema
082 0 4 $a 700.105 $2 23
090 $a NX180.T4 $b M424 2020
100 1 $a Masura, Nadja. $3 880599
245 1 0 $a Digital theatre $h [electronic resource] : $b the making and meaning of live mediated performance, US & UK 1990-2020 / $c by Nadja Masura.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xvi, 295 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in performance and technology
505 0 $a 1. Introduction -- 2. Scenography -- 3. The Theatre Building/Place -- 4. The Actor -- 5. The Animated Actor -- 6. Costuming -- 7. Director/Dramaturg (Authority) -- 8. Writer/Audience (Authorship) -- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place -- 10. Theorizing Place/Community: Issues of Access and Performativity -- 11. Conclusion: Binaries of Hope, Theorizing Theater's Place in an Increasingly Performative Digital World.
520 $a Digital Theatre is a rich and varied art form evolving between performing bodies gathered together in shared space and the ever-expanding flexible reach of the digital technology that shapes our world. This book explores live theatre performances which incorporate video projection, animation, motion capture and triggering, telematics and multisite performance, robotics, VR, and AR. Through examples from practitioners like George Coates, the Gertrude Stein Repertory Theatre, Troika Ranch, David Saltz, Mark Reaney, The Builder's Association, and ArtGrid, a picture emerges of how and why digital technology can be used to effectively create theatre productions matching the storytelling and expressive needs of today's artists and audiences. It also examines how theatre roles such as director, actor, playwright, costumes, and set are altered, and how ideas of body, place, and community are expanded.
650 0 $a Technology and the arts. $3 308108
650 0 $a Theater $x Technological innovations $z United States. $3 880600
650 0 $a Theater $x Technological innovations $z Great Britain. $3 880601
650 1 4 $a Technology and Stagecraft. $3 773183
650 2 4 $a Contemporary Theatre. $3 774209
650 2 4 $a Performing Arts. $3 284098
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Palgrave studies in performance and technology. $3 686075
856 4 0 $u https://doi.org/10.1007/978-3-030-55628-0
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)