國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Emotional ethics of The Hunger Games

Laine, Tarja.

Emotional ethics of The Hunger Games

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Emotional ethics of The Hunger Gamesby Tarja Laine.
作者:	Laine, Tarja.
出版者:	Cham :Springer International Publishing :2021.
面頁冊數:	xiv, 196 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Hunger Games filmsHistory and criticism.
電子資源:	https://doi.org/10.1007/978-3-030-67334-5
ISBN:	9783030673345$q(electronic bk.)

Emotional ethics of The Hunger Games
Laine, Tarja.

Emotional ethics of The Hunger Games[electronic resource] /by Tarja Laine. - Cham :Springer International Publishing :2021. - xiv, 196 p. :ill., digital ;24 cm. - Palgrave film studies and philosophy. - Palgrave film studies and philosophy..

Chapter 1: Introduction -- Chapter 2: Between Fear and Hope -- Chapter 3: Anger and Generosity -- Chapter 4: The Many Forms of Love -- Chapter 5: Survivor Shame and Guilt -- Chapter 6: Dynamics of Contempt and Dignity -- Chapter 7: Conclusion.

''The Hunger Games movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses The Hunger Games as key texts for understanding our world, demonstrating that ethics do not originate from rational considerations, far removed from those mucky things called emotions. But rather that emotions are at the core of cinematic ethics." -William Brown, Author of Supercinema: Film-Philosophy for the Digital Age ''In this elegantly written exploration of the relationship between aesthetics and emotion in The Hunger Games trilogy, Tarja Laine illuminates the power of film to embody ethical conflict. Deftly interweaving film-philosophy and close analysis, Laine traces how these films mobilise complex emotions, nuancing our thinking about cinema and the spectator. Laine's book takes The Hunger Games films seriously, demonstrating with verve why they matter." -Catherine Wheatley, Senior Lecturer in Film Studies, King's College London, UK Emotional Ethics of The Hunger Games expands the 'ethical turn' in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. Tarja Laine is Assistant Professor in Film Studies at the University of Amsterdam, the Netherlands. Her previous books include Bodies in Pain: Emotion and the Cinema of Darren Aronofsky (2015) and Feeling Cinema: Emotional Dynamics in Film Studies (2011)

ISBN: 9783030673345$q(electronic bk.)

Standard No.: 10.1007/978-3-030-67334-5doiSubjects--Topical Terms:

892581
Hunger Games films
--History and criticism.

LC Class. No.: PN1995.9.D97 / L35 2021

Dewey Class. No.: 791.43615

Emotional ethics of The Hunger Games
LDR:03484nmm a2200337 a 4500 001 598740
003 DE-He213
005 20210517140641.0
006 m d
007 cr nn 008maaau
008 211025s2021 sz s 0 eng d
020 $a 9783030673345$q(electronic bk.)
020 $a 9783030673338$q(paper)
024 7 $a 10.1007/978-3-030-67334-5 $2 doi
035 $a 978-3-030-67334-5
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1995.9.D97 $b L35 2021
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
072 7 $a ATFA $2 thema
082 0 4 $a 791.43615 $2 23
090 $a PN1995.9.D97 $b L186 2021
100 1 $a Laine, Tarja. $3 892580
245 1 0 $a Emotional ethics of The Hunger Games $h [electronic resource] / $c by Tarja Laine.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
300 $a xiv, 196 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave film studies and philosophy
505 0 $a Chapter 1: Introduction -- Chapter 2: Between Fear and Hope -- Chapter 3: Anger and Generosity -- Chapter 4: The Many Forms of Love -- Chapter 5: Survivor Shame and Guilt -- Chapter 6: Dynamics of Contempt and Dignity -- Chapter 7: Conclusion.
520 $a ''The Hunger Games movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses The Hunger Games as key texts for understanding our world, demonstrating that ethics do not originate from rational considerations, far removed from those mucky things called emotions. But rather that emotions are at the core of cinematic ethics." -William Brown, Author of Supercinema: Film-Philosophy for the Digital Age ''In this elegantly written exploration of the relationship between aesthetics and emotion in The Hunger Games trilogy, Tarja Laine illuminates the power of film to embody ethical conflict. Deftly interweaving film-philosophy and close analysis, Laine traces how these films mobilise complex emotions, nuancing our thinking about cinema and the spectator. Laine's book takes The Hunger Games films seriously, demonstrating with verve why they matter." -Catherine Wheatley, Senior Lecturer in Film Studies, King's College London, UK Emotional Ethics of The Hunger Games expands the 'ethical turn' in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. Tarja Laine is Assistant Professor in Film Studies at the University of Amsterdam, the Netherlands. Her previous books include Bodies in Pain: Emotion and the Cinema of Darren Aronofsky (2015) and Feeling Cinema: Emotional Dynamics in Film Studies (2011)
650 0 $a Hunger Games films $x History and criticism. $3 892581
650 0 $a Emotions in motion pictures. $3 892582
650 0 $a Ethics in motion pictures. $3 578637
650 1 4 $a Film Theory. $3 745014
650 2 4 $a Aesthetics. $3 178371
650 2 4 $a Popular Culture. $3 763075
650 2 4 $a Emotion. $3 740224
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
830 0 $a Palgrave film studies and philosophy. $3 884569
856 4 0 $u https://doi.org/10.1007/978-3-030-67334-5
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)