國立高雄大學圖資館 |

登入

回首頁

The economics of the popular music industrymodelling from microeconomic theory and industrial organization /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The economics of the popular music industryby Christie Byun.
其他題名:	modelling from microeconomic theory and industrial organization /
作者:	Byun, Christie Hyun Christie.
出版者:	Cham :Springer Nature Switzerland :2024.
面頁冊數:	ix, 246 p. :ill. (some col.), digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	Music trade.
電子資源:	https://doi.org/10.1007/978-3-031-49899-2
ISBN:	9783031498992$q(electronic bk.)

The economics of the popular music industrymodelling from microeconomic theory and industrial organization /
Byun, Christie Hyun Christie.

The economics of the popular music industrymodelling from microeconomic theory and industrial organization /[electronic resource] :by Christie Byun. - Second edition. - Cham :Springer Nature Switzerland :2024. - ix, 246 p. :ill. (some col.), digital ;24 cm.

1. Introduction -- 2. Consuming Music -- 3. Basic Producer Theory -- 4. The Music Industry Disrupted: The COVID Era -- 5. The Global Marketplace for Music -- 6. Conclusion.

This book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic impacts on the industry. Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process. Christie Byun is Associate Professor of Economics at Wabash College in the USA. She teaches courses on statistics, econometrics, entrepreneurship, environmental economics, and the fashion industry. Byun has done extensive research on the changes in the music industry using applied economic theory.

ISBN: 9783031498992$q(electronic bk.)

Standard No.: 10.1007/978-3-031-49899-2doiSubjects--Topical Terms:

283215
Music trade.

LC Class. No.: ML3790

Dewey Class. No.: 338.4778

The economics of the popular music industrymodelling from microeconomic theory and industrial organization /
LDR:02456nmm a22003375a 4500 001 664763
003 DE-He213
005 20240429124850.0
006 m d
007 cr nn 008maaau
008 241219s2024 sz s 0 eng d
020 $a 9783031498992$q(electronic bk.)
020 $a 9783031498985$q(paper)
024 7 $a 10.1007/978-3-031-49899-2 $2 doi
035 $a 978-3-031-49899-2
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3790
072 7 $a KCC $2 bicssc
072 7 $a BUS044000 $2 bisacsh
072 7 $a KCC $2 thema
082 0 4 $a 338.4778 $2 23
090 $a ML3790 $b .B998 2024
100 1 $a Byun, Christie Hyun Christie. $3 977481
245 1 4 $a The economics of the popular music industry $h [electronic resource] : $b modelling from microeconomic theory and industrial organization / $c by Christie Byun.
250 $a Second edition.
260 $a Cham : $b Springer Nature Switzerland : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a ix, 246 p. : $b ill. (some col.), digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Consuming Music -- 3. Basic Producer Theory -- 4. The Music Industry Disrupted: The COVID Era -- 5. The Global Marketplace for Music -- 6. Conclusion.
520 $a This book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic impacts on the industry. Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process. Christie Byun is Associate Professor of Economics at Wabash College in the USA. She teaches courses on statistics, econometrics, entrepreneurship, environmental economics, and the fashion industry. Byun has done extensive research on the changes in the music industry using applied economic theory.
650 0 $a Music trade. $3 283215
650 1 4 $a Microeconomics. $3 182798
650 2 4 $a Economic History. $3 739985
650 2 4 $a Industrial Organization. $3 274114
650 2 4 $a Theory of Music. $3 931972
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-49899-2
950 $a Economics and Finance (SpringerNature-41170)