國立高雄大學圖資館 |

登入

回首頁

Sensation fiction and modernitythe meanings of ambivalence in Mid-Victorian Britain /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sensation fiction and modernityby James Aaron Green.
其他題名:	the meanings of ambivalence in Mid-Victorian Britain /
作者:	Green, James Aaron.
出版者:	Cham :Springer International Publishing :2024.
面頁冊數:	x, 231 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
標題:	English fictionHistory and criticism.19th century
電子資源:	https://doi.org/10.1007/978-3-031-49834-3
ISBN:	9783031498343$q(electronic bk.)

Sensation fiction and modernitythe meanings of ambivalence in Mid-Victorian Britain /
Green, James Aaron.

Sensation fiction and modernitythe meanings of ambivalence in Mid-Victorian Britain /[electronic resource] :by James Aaron Green. - Cham :Springer International Publishing :2024. - x, 231 p. :ill., digital ;24 cm.

1: Introduction -- 2: 'Straight through those clear blue eyes into his soul': dreams of transparency in mary elizabeth braddon's the trail of the serpent (1860) -- 3: 'The curse that has always followed us': (dis)inheriting the past in joseph sheridan le fanu's wylder's hand (1864) -- 4: 'Short-spanned living creatures': evolutionary perspectives and the fate of progress in rhoda broughton's not wisely, but too well (1867) -- 5: 'Can I say I believe in it too?': hesitation and the difficulties of decision in wilkie collins's armadale (1866) -- 6: Conclusion.

This book re-reads the relationship between the Victorian sensation novel and modernity. Whereas critics have long recognized its appearance in the form of nervous subjects and technologically-enabled mobility, Green contends that sensation fiction also depicts modernity in the form of intellectual and moral discontinuity. Through closely historicist readings of novels by Wilkie Collins and Mary Elizabeth Braddon, as well as by Joseph Sheridan Le Fanu and Rhoda Broughton, this book traces how discontinuity is manifested in the suspenseful plotting of these fictions, through which readers are challenged to revise conventional assumptions about the world and adopt more contingent perspectives. The study demonstrates that reading for this sense of modernity does not merely uncover the genre's engagements with various mid-century contexts. More fundamentally, it broaches a new sense of the function and significance of sensation fiction: the acclimatization of its readers to the discontinuities of modern existence.

ISBN: 9783031498343$q(electronic bk.)

Standard No.: 10.1007/978-3-031-49834-3doiSubjects--Topical Terms:

178123
English fiction
--History and criticism.--19th century

LC Class. No.: PR871

Dewey Class. No.: 823.809

Sensation fiction and modernitythe meanings of ambivalence in Mid-Victorian Britain /
LDR:02607nmm a22003255a 4500 001 665290
003 DE-He213
005 20240426093338.0
006 m d
007 cr nn 008maaau
008 241219s2024 sz s 0 eng d
020 $a 9783031498343$q(electronic bk.)
020 $a 9783031498336$q(paper)
024 7 $a 10.1007/978-3-031-49834-3 $2 doi
035 $a 978-3-031-49834-3
040 $a GP $c GP
041 0 $a eng
050 4 $a PR871
072 7 $a DSBF $2 bicssc
072 7 $a LIT024040 $2 bisacsh
072 7 $a DSBF $2 thema
082 0 4 $a 823.809 $2 23
090 $a PR871 $b .G796 2024
100 1 $a Green, James Aaron. $3 978081
245 1 0 $a Sensation fiction and modernity $h [electronic resource] : $b the meanings of ambivalence in Mid-Victorian Britain / $c by James Aaron Green.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2024.
300 $a x, 231 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1: Introduction -- 2: 'Straight through those clear blue eyes into his soul': dreams of transparency in mary elizabeth braddon's the trail of the serpent (1860) -- 3: 'The curse that has always followed us': (dis)inheriting the past in joseph sheridan le fanu's wylder's hand (1864) -- 4: 'Short-spanned living creatures': evolutionary perspectives and the fate of progress in rhoda broughton's not wisely, but too well (1867) -- 5: 'Can I say I believe in it too?': hesitation and the difficulties of decision in wilkie collins's armadale (1866) -- 6: Conclusion.
520 $a This book re-reads the relationship between the Victorian sensation novel and modernity. Whereas critics have long recognized its appearance in the form of nervous subjects and technologically-enabled mobility, Green contends that sensation fiction also depicts modernity in the form of intellectual and moral discontinuity. Through closely historicist readings of novels by Wilkie Collins and Mary Elizabeth Braddon, as well as by Joseph Sheridan Le Fanu and Rhoda Broughton, this book traces how discontinuity is manifested in the suspenseful plotting of these fictions, through which readers are challenged to revise conventional assumptions about the world and adopt more contingent perspectives. The study demonstrates that reading for this sense of modernity does not merely uncover the genre's engagements with various mid-century contexts. More fundamentally, it broaches a new sense of the function and significance of sensation fiction: the acclimatization of its readers to the discontinuities of modern existence.
650 0 $a English fiction $y 19th century $x History and criticism. $3 178123
650 1 4 $a Nineteenth-Century Literature. $3 740268
650 2 4 $a European Literature. $3 740243
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer Nature eBook
856 4 0 $u https://doi.org/10.1007/978-3-031-49834-3
950 $a Literature, Cultural and Media Studies (SpringerNature-41173)